Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project
Hohensalzburg Digital is a Digital Humanities project realized at Salzburg University and dedicated to digitally process and connect room- and object-related information taken from written sources and from building history data on Hohensalzburg Castle. Via digital interfaces, we create the basis for...
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| Main Authors: | , , , |
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| Format: | Article |
| Language: | English |
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De Gruyter
2025-02-01
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| Series: | Open Archaeology |
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| Online Access: | https://doi.org/10.1515/opar-2024-0027 |
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| _version_ | 1850181513231990784 |
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| author | Antenhofer Christina Matschinegg Ingrid Brandstätter Walter Zedlacher Stefan |
| author_facet | Antenhofer Christina Matschinegg Ingrid Brandstätter Walter Zedlacher Stefan |
| author_sort | Antenhofer Christina |
| collection | DOAJ |
| description | Hohensalzburg Digital is a Digital Humanities project realized at Salzburg University and dedicated to digitally process and connect room- and object-related information taken from written sources and from building history data on Hohensalzburg Castle. Via digital interfaces, we create the basis for an Austrian Local Time Machine Project on the castle, a popular landmark. In three steps, the project opens up cultural heritage digitally for scientific community and international public alike: (1) The first part is dedicated to digital processing and exploring historical sources on rooms of the castle, their furnishings and function, from the earliest sources dating back to the sixteenth century until 1816 when Salzburg became part of the Habsburg Empire. (2) The second part connects the historical information deduced from the written sources with the results of building research and other work on realia, for example, on the famous tiled stove in the Goldene Stube (Golden Chamber). The digital room book created in this way allows a new comprehensive view on the development, furnishings, and use of the rooms and the whole building as a social space for the people who lived there. (3) The final part prepares the data for incorporation in the Europe Time Machine. |
| format | Article |
| id | doaj-art-a2ded2cefd2544fb9df670f4c5769ca5 |
| institution | OA Journals |
| issn | 2300-6560 |
| language | English |
| publishDate | 2025-02-01 |
| publisher | De Gruyter |
| record_format | Article |
| series | Open Archaeology |
| spelling | doaj-art-a2ded2cefd2544fb9df670f4c5769ca52025-08-20T02:17:53ZengDe GruyterOpen Archaeology2300-65602025-02-01111115710.1515/opar-2024-0027Hohensalzburg Digital: Engaging the Public via a Local Time Machine ProjectAntenhofer Christina0Matschinegg Ingrid1Brandstätter Walter2Zedlacher Stefan3Department of History, Universität Salzburg, 5020, Salzburg, AustriaDepartment of History, Universität Salzburg, 5020, Salzburg, AustriaDepartment of History, Universität Salzburg, 5020, Salzburg, AustriaDepartment of History, Universität Salzburg, 5020, Salzburg, AustriaHohensalzburg Digital is a Digital Humanities project realized at Salzburg University and dedicated to digitally process and connect room- and object-related information taken from written sources and from building history data on Hohensalzburg Castle. Via digital interfaces, we create the basis for an Austrian Local Time Machine Project on the castle, a popular landmark. In three steps, the project opens up cultural heritage digitally for scientific community and international public alike: (1) The first part is dedicated to digital processing and exploring historical sources on rooms of the castle, their furnishings and function, from the earliest sources dating back to the sixteenth century until 1816 when Salzburg became part of the Habsburg Empire. (2) The second part connects the historical information deduced from the written sources with the results of building research and other work on realia, for example, on the famous tiled stove in the Goldene Stube (Golden Chamber). The digital room book created in this way allows a new comprehensive view on the development, furnishings, and use of the rooms and the whole building as a social space for the people who lived there. (3) The final part prepares the data for incorporation in the Europe Time Machine.https://doi.org/10.1515/opar-2024-0027inventorycastlesmaterial culturecultural heritage3d model |
| spellingShingle | Antenhofer Christina Matschinegg Ingrid Brandstätter Walter Zedlacher Stefan Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project Open Archaeology inventory castles material culture cultural heritage 3d model |
| title | Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project |
| title_full | Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project |
| title_fullStr | Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project |
| title_full_unstemmed | Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project |
| title_short | Hohensalzburg Digital: Engaging the Public via a Local Time Machine Project |
| title_sort | hohensalzburg digital engaging the public via a local time machine project |
| topic | inventory castles material culture cultural heritage 3d model |
| url | https://doi.org/10.1515/opar-2024-0027 |
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