Shakespeare’s Glocal Moorings: Transculturation in Two 2001 Celluloid Adaptations of Othello
Abstract: This article examines two film adaptations of Shakespeare’s Othello released in 2001, Geoffrey Sax's telefilm Othello and Tim Blake Nelson's O, from the perspective of Fernando Ortiz’s concept of transculturation, focusing on how ideas about race, gender and sexuality are trans...
Saved in:
| Main Authors: | Dhee Sankar, Semanti Nandi, Prasun Roy, Mercy Hembrom, Ayantika Bhaskar |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Hyperion University
2025-06-01
|
| Series: | HyperCultura |
| Subjects: | |
| Online Access: | https://litere.hyperion.ro/hypercultura/wp-content/uploads/2025/06/Dhee-Sankar_final.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Adaptations of Shakespeare’s Tragedies: A Comparative Study of Othello and Ahmed Yerima’s Otaelo
by: Clement Tayo ABEGUNDE, et al.
Published: (2025-06-01) -
No Man is an Island: Shakespeares Othello i skæringspunktet mellem patriarkat og geopolitik
by: Anne Fastrup
Published: (2023-11-01) -
Othello /
by: Shakespeare, William
Published: (2009) -
Paradoxality of Women Positions in Othello by Shakespeare: The Study of Class and Race Intersections
by: Siti Hardiyanti Amri, et al.
Published: (2020-08-01) -
Rank Intersectionality and Othello
by: Paul Innes
Published: (2024-12-01)