De la « Great Exhibition » à l’Esthétisme : entre production et poïétique
The opening of the Great Exhibition in May 1851 corresponded to the birth of a new culture of the manufactured object. In spite of its official aim to celebrate British industrial power, the Exhibition also brought together many works of art, including objects from Antiquity which were apparently re...
Saved in:
| Main Author: | Charlotte Ribeyrol |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2007-01-01
|
| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/2002 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Anne-Florence Gillard-Estrada et Xavier Giudicelli, L’esthétisme britannique (1860-1900). Peinture, littérature et critique d’art. Reims : Éditions et presses universitaires de Reims, 2020, 283 p.
by: Catherine Delyfer
Published: (2021-10-01) -
Colour reception(s): The Narrative of the Exhibition “Colour Revolution: Victorian Art, Fashion and Design” (Ashmolean Museum, Oxford, 21 September 2023-18 February 2024)
by: Charlotte Ribeyrol
Published: (2024-06-01) -
Le nouvel hellénisme hors de ses frontières à partir d’Alexandre le Grand
by: Pascal Charvet
Published: (2020-08-01) -
Whistler et l’esthétisme avant l’ouverture de laGrosvenor Gallery
by: Isabelle Énaud-Lechien
Published: (2011-03-01) -
A Great Exhibition of Printing: The Illustrated London News Supplement Sheet (1851)
by: Paul Fyfe
Published: (2016-11-01)