Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa
This paper examines secondary rock art practices in southern Africa and how they served as mechanisms for expressing and negotiating identity through iterative engagement with existing artistic traditions. Often dismissed as mere ’graffiti’ or vandalism, these practices of modifying, adding to, or r...
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| Format: | Article |
| Language: | English |
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MDPI AG
2025-04-01
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| Series: | Genealogy |
| Subjects: | |
| Online Access: | https://www.mdpi.com/2313-5778/9/2/42 |
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