Les instruments de musique comme vecteurs d’imaginaire. L’exemple des Structures sonores Lasry-Baschet
In the early 1950s, the Baschet brothers embarked on an acoustic and organological exploration that would lead them to the creation of objects that were simultaneously sculptures and musical instruments. The promotion of the sounds produced by these instruments was positioned in direct opposition to...
Saved in:
| Main Author: | Stéphane Le Gars |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Université Gustave Eiffel
2025-06-01
|
| Series: | ReS Futurae |
| Subjects: | |
| Online Access: | https://journals.openedition.org/resf/14056 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
LÜKSLE VE LÜKSE KARŞI: İSKOÇ AYDINLANMASINDA LÜKS ÜZERİNE DÜŞÜNCELER
by: Işıl Çeşmeli
Published: (2023-08-01) -
L’Imaginaire du temps dans le fantastique et la science-fiction (2011)
by: Julie Schutz
Published: (2013-04-01) -
Hörspiel et musique autour de 1960 : l’exemple du Hörspiel de Dieter Wellershoff, Am ungenauen Ort
by: Adina Toma
Published: (2025-04-01) -
An Experimentalist Who Shunned Hypotheses? A Study of François Magendie’s Experimental Medicine
by: Chanwoong PARK
Published: (2025-04-01) -
Investigation of the Sound Source Regions in Open and Closed Organ Pipes
by: Viktor HRUŠKA, et al.
Published: (2019-03-01)