Expressional Bipolarity of Theatre
The author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing the themes of the day. Using case studies of...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
2018-09-01
|
| Series: | Slovenské divadlo |
| Subjects: | |
| Online Access: | http://www.degruyter.com/view/j/sd.2018.66.issue-3/sd-2018-0014/sd-2018-0014.xml?format=INT |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850132505058869248 |
|---|---|
| author | Ballay Miroslav |
| author_facet | Ballay Miroslav |
| author_sort | Ballay Miroslav |
| collection | DOAJ |
| description | The author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators. |
| format | Article |
| id | doaj-art-9f78b038f7a046c68dc40e3c603401e9 |
| institution | OA Journals |
| issn | 1336-8605 |
| language | English |
| publishDate | 2018-09-01 |
| publisher | Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre |
| record_format | Article |
| series | Slovenské divadlo |
| spelling | doaj-art-9f78b038f7a046c68dc40e3c603401e92025-08-20T02:32:11ZengSlovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research CentreSlovenské divadlo1336-86052018-09-0166323124110.2478/sd-2018-0014sd-2018-0014Expressional Bipolarity of TheatreBallay Miroslav0Department of Cultural Studies at the Faculty of Arts, Constantine the Philosopher University in NitraThe author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators.http://www.degruyter.com/view/j/sd.2018.66.issue-3/sd-2018-0014/sd-2018-0014.xml?format=INTtheatredramaturgyreceptionpolarityexpressiveness |
| spellingShingle | Ballay Miroslav Expressional Bipolarity of Theatre Slovenské divadlo theatre dramaturgy reception polarity expressiveness |
| title | Expressional Bipolarity of Theatre |
| title_full | Expressional Bipolarity of Theatre |
| title_fullStr | Expressional Bipolarity of Theatre |
| title_full_unstemmed | Expressional Bipolarity of Theatre |
| title_short | Expressional Bipolarity of Theatre |
| title_sort | expressional bipolarity of theatre |
| topic | theatre dramaturgy reception polarity expressiveness |
| url | http://www.degruyter.com/view/j/sd.2018.66.issue-3/sd-2018-0014/sd-2018-0014.xml?format=INT |
| work_keys_str_mv | AT ballaymiroslav expressionalbipolarityoftheatre |