De Masaccio à Stalker: pour une esthétique du seuil et de son franchissement
The threshold as theme of representation is in this article used as a way to question the limit and its crossing in the territory of the painted work, of the installation and the performance. Masaccio’s fresco “The Expulsion from the Garden of Eden” of 1425 constitutes a decisive step in the treatme...
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| Format: | Article |
| Language: | deu |
| Published: |
Conserveries Mémorielles
2010-04-01
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| Series: | Conserveries Mémorielles |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cm/449 |
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