Maps and Circulations: A Way of Expanding Biennials through Time and Space?
This article proposes an act of remembering, shifting its focus away from the physical exhibition space to concentrate on the exhibition's broader context. In particular, this paper aims to explore what new perspectives the analysis of the circulation of ideas and people and the use of maps can...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Index Journal
2024-08-01
|
| Series: | Index Journal |
| Online Access: | https://index-journal.org/issues/liquid-time/maps-and-circulations |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1849727482474790912 |
|---|---|
| author | Anita Orzes |
| author_facet | Anita Orzes |
| author_sort | Anita Orzes |
| collection | DOAJ |
| description | This article proposes an act of remembering, shifting its focus away from the physical exhibition space to concentrate on the exhibition's broader context. In particular, this paper aims to explore what new perspectives the analysis of the circulation of ideas and people and the use of maps can contribute to the study of biennials. A biennial is envisaged as an exchange zone where heterogeneous networks intersect, merge, or confront and create maps of relationships. Giving visibility to these networks through map-making enables us to articulate dense multidirectional plots in the history of biennials and to trace a transnational history of complex geographies, relationships, and overlapping cartographies. With this in mind, this article analyses materials produced during the first three editions of the Havana Biennial (1984–1989). Employing geospatial visualisations and the study of currents of thought, this investigation shows a complex map of institutional, professional, and personal relationships that connected the Havana Biennial with other artistic events in Latin America. Likewise, this map of relations comes to “expand” our understanding of the Caribbean biennial, including other places, temporalities, agents, and mega-exhibitions—the knowledge provides valuable tools to see and understand the biennial from a wider perspective.
Keywords: Havana Biennial, São Paulo Biennial, Transnational Networks, Circulations, Restaging Exhibitions |
| format | Article |
| id | doaj-art-9e8b5d0c0ba94ec69c158cbd93ca496c |
| institution | DOAJ |
| issn | 2652-4740 |
| language | English |
| publishDate | 2024-08-01 |
| publisher | Index Journal |
| record_format | Article |
| series | Index Journal |
| spelling | doaj-art-9e8b5d0c0ba94ec69c158cbd93ca496c2025-08-20T03:09:49ZengIndex JournalIndex Journal2652-47402024-08-0110.38030/index-journal.2024.5.7Maps and Circulations: A Way of Expanding Biennials through Time and Space?Anita OrzesThis article proposes an act of remembering, shifting its focus away from the physical exhibition space to concentrate on the exhibition's broader context. In particular, this paper aims to explore what new perspectives the analysis of the circulation of ideas and people and the use of maps can contribute to the study of biennials. A biennial is envisaged as an exchange zone where heterogeneous networks intersect, merge, or confront and create maps of relationships. Giving visibility to these networks through map-making enables us to articulate dense multidirectional plots in the history of biennials and to trace a transnational history of complex geographies, relationships, and overlapping cartographies. With this in mind, this article analyses materials produced during the first three editions of the Havana Biennial (1984–1989). Employing geospatial visualisations and the study of currents of thought, this investigation shows a complex map of institutional, professional, and personal relationships that connected the Havana Biennial with other artistic events in Latin America. Likewise, this map of relations comes to “expand” our understanding of the Caribbean biennial, including other places, temporalities, agents, and mega-exhibitions—the knowledge provides valuable tools to see and understand the biennial from a wider perspective. Keywords: Havana Biennial, São Paulo Biennial, Transnational Networks, Circulations, Restaging Exhibitionshttps://index-journal.org/issues/liquid-time/maps-and-circulations |
| spellingShingle | Anita Orzes Maps and Circulations: A Way of Expanding Biennials through Time and Space? Index Journal |
| title | Maps and Circulations: A Way of Expanding Biennials through Time and Space? |
| title_full | Maps and Circulations: A Way of Expanding Biennials through Time and Space? |
| title_fullStr | Maps and Circulations: A Way of Expanding Biennials through Time and Space? |
| title_full_unstemmed | Maps and Circulations: A Way of Expanding Biennials through Time and Space? |
| title_short | Maps and Circulations: A Way of Expanding Biennials through Time and Space? |
| title_sort | maps and circulations a way of expanding biennials through time and space |
| url | https://index-journal.org/issues/liquid-time/maps-and-circulations |
| work_keys_str_mv | AT anitaorzes mapsandcirculationsawayofexpandingbiennialsthroughtimeandspace |