A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud

This article intends to reflect on the voice and the body, as being both esthetics and language as well as communications constituents, yet emphasizing the discussion about the corporeality and the vocallity as being the representation of mythical, symbolical and ritualistic narratives. Simultan...

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Main Author: Edson Fernandes
Format: Article
Language:deu
Published: Universidade Nove de Julho - Uninove 2001-01-01
Series:EccoS – Revista Científica
Online Access:http://www.redalyc.org/articulo.oa?id=71530206
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author Edson Fernandes
author_facet Edson Fernandes
author_sort Edson Fernandes
collection DOAJ
description This article intends to reflect on the voice and the body, as being both esthetics and language as well as communications constituents, yet emphasizing the discussion about the corporeality and the vocallity as being the representation of mythical, symbolical and ritualistic narratives. Simultaneously, it tries to understand the dimensions of the semiotic complexity of both the gesture and the verb from the Artaudians theatrical experience. Particularlly, at this point, the orallity is discussed on the Paul Zumthors work in which its development is fully performatic pushed and reflected in the communication process, under the sociocultural and esthetical perspectives, since it searches for a dialogue between the subjects voice and body language. Finally, it establishes a reflection on not only the play of being present and absent, at the same time, but also on the definition and indefinition of the esthetical field, in which the body and the voice encode their own experiences.
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spelling doaj-art-9e7443c9ec8e4d7d9a62437643e33fae2025-08-20T03:18:58ZdeuUniversidade Nove de Julho - UninoveEccoS – Revista Científica1517-19491983-92782001-01-01326381A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin ArtaudEdson FernandesThis article intends to reflect on the voice and the body, as being both esthetics and language as well as communications constituents, yet emphasizing the discussion about the corporeality and the vocallity as being the representation of mythical, symbolical and ritualistic narratives. Simultaneously, it tries to understand the dimensions of the semiotic complexity of both the gesture and the verb from the Artaudians theatrical experience. Particularlly, at this point, the orallity is discussed on the Paul Zumthors work in which its development is fully performatic pushed and reflected in the communication process, under the sociocultural and esthetical perspectives, since it searches for a dialogue between the subjects voice and body language. Finally, it establishes a reflection on not only the play of being present and absent, at the same time, but also on the definition and indefinition of the esthetical field, in which the body and the voice encode their own experiences.http://www.redalyc.org/articulo.oa?id=71530206
spellingShingle Edson Fernandes
A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
EccoS – Revista Científica
title A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
title_full A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
title_fullStr A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
title_full_unstemmed A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
title_short A voz e o corpo: linguagem, estética e complexidade para uma reflexão no teatro de Antonin Artaud
title_sort voz e o corpo linguagem estetica e complexidade para uma reflexao no teatro de antonin artaud
url http://www.redalyc.org/articulo.oa?id=71530206
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AT edsonfernandes vozeocorpolinguagemesteticaecomplexidadeparaumareflexaonoteatrodeantoninartaud