A plenitude de um vazio em que a pobreza não é mais paisagem: a periferia em Paulo Lins e Ferréz

This article intends to place Paulo Lins’ novel Cidade de Deus and Ferréz’s novels Capão Pecado and Manual prático do ódio in the panorama of Brazilian contemporary “new-realisms”, evaluating thematic choices and narrative techniques and proce- dures. Also, this study analyses the originality of the...

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Bibliographic Details
Main Author: Alva Martínez Teixeiro
Format: Article
Language:Spanish
Published: Universidade de Brasília 2013-01-01
Series:Estudos de Literatura Brasileira Contemporânea
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Online Access:http://www.redalyc.org/articulo.oa?id=323127374005
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Summary:This article intends to place Paulo Lins’ novel Cidade de Deus and Ferréz’s novels Capão Pecado and Manual prático do ódio in the panorama of Brazilian contemporary “new-realisms”, evaluating thematic choices and narrative techniques and proce- dures. Also, this study analyses the originality of their prose, noting the cautious distance of their aesthetic philosophies and the fundamental elements of their lit- erary universe –poverty, crime and inequality– from any extreme culture of vio- lence. The analysis of this books seeks to reveal another perspective on the issue of the image of the city and urban poverty, usually sensationalist, and to contribute to a better understanding of the complexity of everyday violence in poor urban communities.
ISSN:1518-0158
2316-4018