Theaters of Sound:
In the Theaters of sound, sound stages: sonority and visuality are in solidarity. The article develops in this field, in a theoretical and poetic mode, according to an axis that problematizes the concepts of immersion and strangeness, articulated with presence and absence. The essay is driven by co...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2024-12-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/144605 |
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| _version_ | 1850254247021510656 |
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| author | Jose Batista Dal Farra Martins |
| author_facet | Jose Batista Dal Farra Martins |
| author_sort | Jose Batista Dal Farra Martins |
| collection | DOAJ |
| description |
In the Theaters of sound, sound stages: sonority and visuality are in solidarity. The article develops in this field, in a theoretical and poetic mode, according to an axis that problematizes the concepts of immersion and strangeness, articulated with presence and absence. The essay is driven by conceptual prospecting, considerations on the anatomical incision of sound, on the relations between scene and technology, and a series of listening gestures, in dialogue with theatrical poetics, such as: Elettra, by Hugo von Hofmannsthal, with sound by Hubert Westkemper (2004); Ouverture Alcina, by Nevio Spadoni, with Ermanna Montanari and music by Luigi Ceccarelli (2009); Not I / Eu Não, by Samuel Beckett, with Maria Alice Vergueiro (1986) and Eislermaterial, directed by Heiner Goebbels (1998).
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| format | Article |
| id | doaj-art-9e3f7e5944394154ab409b2a49e54f77 |
| institution | OA Journals |
| issn | 2237-2660 |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Universidade Federal do Rio Grande do Sul |
| record_format | Article |
| series | Revista Brasileira de Estudos da Presença |
| spelling | doaj-art-9e3f7e5944394154ab409b2a49e54f772025-08-20T01:57:11ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602024-12-01144Theaters of Sound: Jose Batista Dal Farra Martins0Universidade de São Paulo – USP In the Theaters of sound, sound stages: sonority and visuality are in solidarity. The article develops in this field, in a theoretical and poetic mode, according to an axis that problematizes the concepts of immersion and strangeness, articulated with presence and absence. The essay is driven by conceptual prospecting, considerations on the anatomical incision of sound, on the relations between scene and technology, and a series of listening gestures, in dialogue with theatrical poetics, such as: Elettra, by Hugo von Hofmannsthal, with sound by Hubert Westkemper (2004); Ouverture Alcina, by Nevio Spadoni, with Ermanna Montanari and music by Luigi Ceccarelli (2009); Not I / Eu Não, by Samuel Beckett, with Maria Alice Vergueiro (1986) and Eislermaterial, directed by Heiner Goebbels (1998). https://seer.ufrgs.br/index.php/presenca/article/view/144605ListeningImmersionPresenceAbsenceStrangeness |
| spellingShingle | Jose Batista Dal Farra Martins Theaters of Sound: Revista Brasileira de Estudos da Presença Listening Immersion Presence Absence Strangeness |
| title | Theaters of Sound: |
| title_full | Theaters of Sound: |
| title_fullStr | Theaters of Sound: |
| title_full_unstemmed | Theaters of Sound: |
| title_short | Theaters of Sound: |
| title_sort | theaters of sound |
| topic | Listening Immersion Presence Absence Strangeness |
| url | https://seer.ufrgs.br/index.php/presenca/article/view/144605 |
| work_keys_str_mv | AT josebatistadalfarramartins theatersofsound |