Promotion of Chinese TV Series in Russia: Key Factors

In the context of increasing globalization, national audiovisual content is becoming an important tool for intercultural communication. The cultural exchange between China and Russia is marked by the growing interest in Chinese TV series in Russia, while the mechanisms of distribution of Chinese tel...

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Main Authors: Jiamei Song, Lin Xi
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2025-07-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:https://journals.rudn.ru/literary-criticism/article/viewFile/45346/25169
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author Jiamei Song
Lin Xi
author_facet Jiamei Song
Lin Xi
author_sort Jiamei Song
collection DOAJ
description In the context of increasing globalization, national audiovisual content is becoming an important tool for intercultural communication. The cultural exchange between China and Russia is marked by the growing interest in Chinese TV series in Russia, while the mechanisms of distribution of Chinese television series in the Russian market have not been reflected in the scientific field. The authors have identified specific strategies for promoting Chinese content and analyzed the perception of Chinese TV series by the Russian audience. The study was conducted in the context of China’s foreign cultural policy using Russian empirical data. The results demonstrate that the distribution of Chinese TV series in Russia largely depends on Chinese government support aimed at strategically promoting TV products abroad, as well as the use of a multi-channel content distribution model. This model includes the synergy of Chinese and Russian television channels, local streaming platforms, social networks, and international video services. This approach contributes to the progressive strengthening of the Chinese presence in the Russian media sphere and strengthening its influence on the Russian market. An analysis of data from the KinoPoisk portal shows a growing interest in Chinese TV series, which is reflected in an increase in the number of ratings and reviews, and high ratings. The key factors in genre and content policy are related to marketing aspects: responding to audience expectations, genre diversification, an emphasis on melodramas, fantasy and action films, and high-quality content. The authors offer counter recommendations for the promotion of television content in China, which can serve as a guideline for the effective distribution of Russian video products based on Chinese-Russian cultural cooperation.
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spelling doaj-art-9e2abe0769f94bfaa5fee3c83bbd39f82025-08-20T03:23:28ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472025-07-0130239040310.22363/2312-9220-2025-30-2-390-40321138Promotion of Chinese TV Series in Russia: Key FactorsJiamei Song0https://orcid.org/0009-0005-4914-662XLin Xi1https://orcid.org/0009-0000-2093-8846Heilongjiang UniversityRUDN UniversityIn the context of increasing globalization, national audiovisual content is becoming an important tool for intercultural communication. The cultural exchange between China and Russia is marked by the growing interest in Chinese TV series in Russia, while the mechanisms of distribution of Chinese television series in the Russian market have not been reflected in the scientific field. The authors have identified specific strategies for promoting Chinese content and analyzed the perception of Chinese TV series by the Russian audience. The study was conducted in the context of China’s foreign cultural policy using Russian empirical data. The results demonstrate that the distribution of Chinese TV series in Russia largely depends on Chinese government support aimed at strategically promoting TV products abroad, as well as the use of a multi-channel content distribution model. This model includes the synergy of Chinese and Russian television channels, local streaming platforms, social networks, and international video services. This approach contributes to the progressive strengthening of the Chinese presence in the Russian media sphere and strengthening its influence on the Russian market. An analysis of data from the KinoPoisk portal shows a growing interest in Chinese TV series, which is reflected in an increase in the number of ratings and reviews, and high ratings. The key factors in genre and content policy are related to marketing aspects: responding to audience expectations, genre diversification, an emphasis on melodramas, fantasy and action films, and high-quality content. The authors offer counter recommendations for the promotion of television content in China, which can serve as a guideline for the effective distribution of Russian video products based on Chinese-Russian cultural cooperation.https://journals.rudn.ru/literary-criticism/article/viewFile/45346/25169sino-russian cooperationaudience requestsgenre diversificationkinopoiskmultichannel
spellingShingle Jiamei Song
Lin Xi
Promotion of Chinese TV Series in Russia: Key Factors
RUDN Journal of Studies in Literature and Journalism
sino-russian cooperation
audience requests
genre diversification
kinopoisk
multichannel
title Promotion of Chinese TV Series in Russia: Key Factors
title_full Promotion of Chinese TV Series in Russia: Key Factors
title_fullStr Promotion of Chinese TV Series in Russia: Key Factors
title_full_unstemmed Promotion of Chinese TV Series in Russia: Key Factors
title_short Promotion of Chinese TV Series in Russia: Key Factors
title_sort promotion of chinese tv series in russia key factors
topic sino-russian cooperation
audience requests
genre diversification
kinopoisk
multichannel
url https://journals.rudn.ru/literary-criticism/article/viewFile/45346/25169
work_keys_str_mv AT jiameisong promotionofchinesetvseriesinrussiakeyfactors
AT linxi promotionofchinesetvseriesinrussiakeyfactors