Bjørnstjerne Bjørnson: En glemt dramatiker?

The article explores why Bjørnstjerne Bjørnson (1832-1910) has largely been forgotten as a playwright in contemporary theatre by examining the reception history of his play Paul Lange and Tora Parsberg (1898). By analyzing a selection of theatre reviews from the play's Norwegian premiere in 19...

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Main Author: Marie Magnor
Format: Article
Language:Danish
Published: Bergen Open Access Publishing 2024-12-01
Series:Teatervitenskapelige Studier
Online Access:https://boap.uib.no/index.php/tvs/article/view/4263
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author Marie Magnor
author_facet Marie Magnor
author_sort Marie Magnor
collection DOAJ
description The article explores why Bjørnstjerne Bjørnson (1832-1910) has largely been forgotten as a playwright in contemporary theatre by examining the reception history of his play Paul Lange and Tora Parsberg (1898). By analyzing a selection of theatre reviews from the play's Norwegian premiere in 1901 to its most recent staging in 2000, the article identifies and discusses the premises and criteria that have influenced theatre critics' evaluation of Bjørnson's drama over time. In the first half of the 20th century, critics assess the drama very positively, whereas from the 1980s onwards, critics tend to evaluate the play negatively while praising the staging. I argue that this devaluation of Bjørnson as a playwright is initially due to modernist expectations of what constitutes a good work of art, which has led critics around 2000 to view the drama mainly within the context of Bjørnson's status as a forgotten playwright.
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spelling doaj-art-9e0db21866ea4d4eb60b55f170086a6b2025-08-20T02:31:19ZdanBergen Open Access PublishingTeatervitenskapelige Studier0801-82942535-76622024-12-018Bjørnstjerne Bjørnson: En glemt dramatiker?Marie Magnor0Universitetet i Bergen The article explores why Bjørnstjerne Bjørnson (1832-1910) has largely been forgotten as a playwright in contemporary theatre by examining the reception history of his play Paul Lange and Tora Parsberg (1898). By analyzing a selection of theatre reviews from the play's Norwegian premiere in 1901 to its most recent staging in 2000, the article identifies and discusses the premises and criteria that have influenced theatre critics' evaluation of Bjørnson's drama over time. In the first half of the 20th century, critics assess the drama very positively, whereas from the 1980s onwards, critics tend to evaluate the play negatively while praising the staging. I argue that this devaluation of Bjørnson as a playwright is initially due to modernist expectations of what constitutes a good work of art, which has led critics around 2000 to view the drama mainly within the context of Bjørnson's status as a forgotten playwright. https://boap.uib.no/index.php/tvs/article/view/4263
spellingShingle Marie Magnor
Bjørnstjerne Bjørnson: En glemt dramatiker?
Teatervitenskapelige Studier
title Bjørnstjerne Bjørnson: En glemt dramatiker?
title_full Bjørnstjerne Bjørnson: En glemt dramatiker?
title_fullStr Bjørnstjerne Bjørnson: En glemt dramatiker?
title_full_unstemmed Bjørnstjerne Bjørnson: En glemt dramatiker?
title_short Bjørnstjerne Bjørnson: En glemt dramatiker?
title_sort bjornstjerne bjornson en glemt dramatiker
url https://boap.uib.no/index.php/tvs/article/view/4263
work_keys_str_mv AT mariemagnor bjørnstjernebjørnsonenglemtdramatiker