I am hated, therefore I am: The Enemy in Yorùbá Imaginary

 This essay will study how the Yorùbá conceptualize “ọ̀tá” or the enemy, a trope that recurs in various cultural phenomena such as music, prayers, and other social rituals. The Yorùbá worldview of the enemy has profound implications on the way they frame issues that affect their mental, physical, s...

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Main Author: Abimbola Adelakun
Format: Article
Language:English
Published: LibraryPress@UF 2021-12-01
Series:Yoruba Studies Review
Subjects:
Online Access:https://ojs.test.flvc.org/ysr/article/view/129928
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author Abimbola Adelakun
author_facet Abimbola Adelakun
author_sort Abimbola Adelakun
collection DOAJ
description  This essay will study how the Yorùbá conceptualize “ọ̀tá” or the enemy, a trope that recurs in various cultural phenomena such as music, prayers, and other social rituals. The Yorùbá worldview of the enemy has profound implications on the way they frame issues that affect their mental, physical, social, and general well-being. Health studies, religious studies, and social ethics studies and analyses have mostly tried to investigate the enemy as a concept borne out of Yorùbá cosmology which serves as a conduit for superstition, fear, and other seemingly irrational behavior. In this essay, I frame the concept of “ọ̀tá” through the theatrical dialectic of antagonist/protagonist theory. The enemy, I argue, is the way the Yorùbá metaphorize all kinds of antagonism—material and immaterial ones—into an imaginative texture that gives it the tangibility they need to triumph against those situations. This essay will interrogate how this personification of antagonism is achieved by studying Ifá texts, Yorùbá popular music of a period, and contemporary Pentecostal prayers.
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spelling doaj-art-9d42ea5a27c34030abcd7fd58ba9250b2025-02-07T13:45:42ZengLibraryPress@UFYoruba Studies Review2473-47132578-692X2021-12-0131I am hated, therefore I am: The Enemy in Yorùbá ImaginaryAbimbola Adelakun 0University of Texas at Austin  This essay will study how the Yorùbá conceptualize “ọ̀tá” or the enemy, a trope that recurs in various cultural phenomena such as music, prayers, and other social rituals. The Yorùbá worldview of the enemy has profound implications on the way they frame issues that affect their mental, physical, social, and general well-being. Health studies, religious studies, and social ethics studies and analyses have mostly tried to investigate the enemy as a concept borne out of Yorùbá cosmology which serves as a conduit for superstition, fear, and other seemingly irrational behavior. In this essay, I frame the concept of “ọ̀tá” through the theatrical dialectic of antagonist/protagonist theory. The enemy, I argue, is the way the Yorùbá metaphorize all kinds of antagonism—material and immaterial ones—into an imaginative texture that gives it the tangibility they need to triumph against those situations. This essay will interrogate how this personification of antagonism is achieved by studying Ifá texts, Yorùbá popular music of a period, and contemporary Pentecostal prayers. https://ojs.test.flvc.org/ysr/article/view/129928Ọtá, Pentecostalism, Yorùbá popular music, Prayers, Identity
spellingShingle Abimbola Adelakun
I am hated, therefore I am: The Enemy in Yorùbá Imaginary
Yoruba Studies Review
Ọtá, Pentecostalism, Yorùbá popular music, Prayers, Identity
title I am hated, therefore I am: The Enemy in Yorùbá Imaginary
title_full I am hated, therefore I am: The Enemy in Yorùbá Imaginary
title_fullStr I am hated, therefore I am: The Enemy in Yorùbá Imaginary
title_full_unstemmed I am hated, therefore I am: The Enemy in Yorùbá Imaginary
title_short I am hated, therefore I am: The Enemy in Yorùbá Imaginary
title_sort i am hated therefore i am the enemy in yoruba imaginary
topic Ọtá, Pentecostalism, Yorùbá popular music, Prayers, Identity
url https://ojs.test.flvc.org/ysr/article/view/129928
work_keys_str_mv AT abimbolaadelakun iamhatedthereforeiamtheenemyinyorubaimaginary