Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil

This article deals with the issue of production of belief on stage of the theatre. The research presented in the article aims to contribute to the discussion on how understanding tools and techniques of building fiction in theatre helps to deconstruct and understand mediatized images of reality. Th...

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Main Author: Martynas Petrikas
Format: Article
Language:English
Published: Vilnius Gediminas Technical University 2025-04-01
Series:Creativity Studies
Subjects:
Online Access:https://jbem.vgtu.lt/index.php/CS/article/view/21852
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author Martynas Petrikas
author_facet Martynas Petrikas
author_sort Martynas Petrikas
collection DOAJ
description This article deals with the issue of production of belief on stage of the theatre. The research presented in the article aims to contribute to the discussion on how understanding tools and techniques of building fiction in theatre helps to deconstruct and understand mediatized images of reality. The case in point is a Lithuanian theatre production The Great Evil (orig. Didis blogis, 2015, director Árpád Schilling), which will be analyzed as an example of militarized conflict depicted as a spectacle. Analysis of the performance and of its reception using tools proposed by Erving Goffman allowed to find aesthetic means specific to the theatre that were used to present the spectacularization and artifice as weapons of modern warfare.
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spelling doaj-art-9d3efb6320254a178b6502e30860e3452025-08-20T03:05:26ZengVilnius Gediminas Technical UniversityCreativity Studies2345-04792345-04872025-04-0118110.3846/cs.2025.21852Make (dis)believe: creative spectacularization of the war on theatre stage in The Great EvilMartynas Petrikas0Department of Digital Cultures and Communication, Faculty of Communication, Vilnius University, Saulėtekio av. 9, I Building, LT-10222 Vilnius, Lithuania This article deals with the issue of production of belief on stage of the theatre. The research presented in the article aims to contribute to the discussion on how understanding tools and techniques of building fiction in theatre helps to deconstruct and understand mediatized images of reality. The case in point is a Lithuanian theatre production The Great Evil (orig. Didis blogis, 2015, director Árpád Schilling), which will be analyzed as an example of militarized conflict depicted as a spectacle. Analysis of the performance and of its reception using tools proposed by Erving Goffman allowed to find aesthetic means specific to the theatre that were used to present the spectacularization and artifice as weapons of modern warfare. https://jbem.vgtu.lt/index.php/CS/article/view/21852dramaturgical analysisErving GoffmanLithuaniatheatretheatricalization and communicationwar
spellingShingle Martynas Petrikas
Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
Creativity Studies
dramaturgical analysis
Erving Goffman
Lithuania
theatre
theatricalization and communication
war
title Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
title_full Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
title_fullStr Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
title_full_unstemmed Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
title_short Make (dis)believe: creative spectacularization of the war on theatre stage in The Great Evil
title_sort make dis believe creative spectacularization of the war on theatre stage in the great evil
topic dramaturgical analysis
Erving Goffman
Lithuania
theatre
theatricalization and communication
war
url https://jbem.vgtu.lt/index.php/CS/article/view/21852
work_keys_str_mv AT martynaspetrikas makedisbelievecreativespectacularizationofthewarontheatrestageinthegreatevil