Protecting AI-Generated Images as Works of Fine Art in China: Magnifying the Legacy of Art to Copyright
Generative artificial intelligence (AI) challenges copyright by raising questions about whether AI-generated content (AIGC) qualifies as protectable works and who should own the associated rights. The Chinese judiciary addressed these issues in Li Yunkai v Liu Yuanchun (Li v Liu), a landmark case wh...
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| Format: | Article |
| Language: | English |
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Queensland University of Technology
2025-04-01
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| Series: | Law, Technology and Humans |
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| Online Access: | https://lthj.qut.edu.au/article/view/3825 |
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| Summary: | Generative artificial intelligence (AI) challenges copyright by raising questions about whether AI-generated content (AIGC) qualifies as protectable works and who should own the associated rights. The Chinese judiciary addressed these issues in Li Yunkai v Liu Yuanchun (Li v Liu), a landmark case where the Beijing Internet Court ruled that an AI-generated image qualified as a work of fine art, with authorship vested in the user who entered the original prompts. This article evaluates the validity of the first holding within the judicial narrative about generative AIs. It argues that the Chinese judiciary maintains a policy to treat generative AIs as ordinary tools for creation. On this basis, while protecting AI-generated images as works of fine art aligns with China’s copyright system, the legal rationale must derive from artistic narratives of originality and aesthetics rather than the court’s reasoning in Li v Liu. Specifically, China should adopt a zero-originality threshold for works of fine art, recognising aesthetic effects as sufficient for protection, provided human intervention occurs through the refinement of AI outputs. |
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| ISSN: | 2652-4074 |