New ‘Film’ or ‘Cinema’ History: Reflections on Emerging Principles, Theories and Methodologies in Cinema Historiography

Film as an artefact has long been the subject of study by “film historians,” whether in terms of stylistic authenticity, genre specificity, or “high theory” analysis. Conversely, film history has been written as if films had no audiences (Biltereyst et al, 2012, p. 693). This kind of filmic-textual...

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Bibliographic Details
Main Author: Muhammet Enes AKDAĞ
Format: Article
Language:English
Published: Üsküdar University 2024-10-01
Series:Etkileşim
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Online Access:https://dergipark.org.tr/tr/pub/usuifade/issue/87834/1573561
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