Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga

As its primary/explicit source, the Madhyamavyāyoga has the Hiḍiṃbavadhaparvan, where Bhīma kills Hiḍiṃba and marries his sister Hiḍiṃbā. As a possible secondary/implicit source, it also has the Bakavadhaparvan, where Bhīma kills Baka and ends up saving a Brahman and his family. This paper proposes...

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Main Author: Roberto Morales-Harley
Format: Article
Language:English
Published: Finnish Oriental Society 2024-12-01
Series:Studia Orientalia Electronica
Online Access:https://journal.fi/store/article/view/131552
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author Roberto Morales-Harley
author_facet Roberto Morales-Harley
author_sort Roberto Morales-Harley
collection DOAJ
description As its primary/explicit source, the Madhyamavyāyoga has the Hiḍiṃbavadhaparvan, where Bhīma kills Hiḍiṃba and marries his sister Hiḍiṃbā. As a possible secondary/implicit source, it also has the Bakavadhaparvan, where Bhīma kills Baka and ends up saving a Brahman and his family. This paper proposes a comparison between the two epic sources, on one hand, and the dramatic adaptation, on the other, to determine the key features of such supposed merging. To that end, it examines (1) psycho-affective components (sneha), (2) socio-cultural components (dharma), and (3) religio-philosophical components (toya/jala). The main conclusion is that, on these subjects, the resemblances of the play with the story of Baka are more significant than those with the story of Hiḍimba.
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spelling doaj-art-9c0345d935d141eaa0f375d3caf2b2152025-08-20T01:53:23ZengFinnish Oriental SocietyStudia Orientalia Electronica2323-52092024-12-011216780https://doi.org/10.23993/store.131552Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s MadhyamavyāyogaRoberto Morales-Harley0University of Costa RicaAs its primary/explicit source, the Madhyamavyāyoga has the Hiḍiṃbavadhaparvan, where Bhīma kills Hiḍiṃba and marries his sister Hiḍiṃbā. As a possible secondary/implicit source, it also has the Bakavadhaparvan, where Bhīma kills Baka and ends up saving a Brahman and his family. This paper proposes a comparison between the two epic sources, on one hand, and the dramatic adaptation, on the other, to determine the key features of such supposed merging. To that end, it examines (1) psycho-affective components (sneha), (2) socio-cultural components (dharma), and (3) religio-philosophical components (toya/jala). The main conclusion is that, on these subjects, the resemblances of the play with the story of Baka are more significant than those with the story of Hiḍimba.https://journal.fi/store/article/view/131552
spellingShingle Roberto Morales-Harley
Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
Studia Orientalia Electronica
title Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
title_full Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
title_fullStr Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
title_full_unstemmed Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
title_short Vyāsa’s Bakavadhaparvan: A Source for Bhāsa’s Madhyamavyāyoga
title_sort vyasa s bakavadhaparvan a source for bhasa s madhyamavyayoga
url https://journal.fi/store/article/view/131552
work_keys_str_mv AT robertomoralesharley vyasasbakavadhaparvanasourceforbhasasmadhyamavyayoga