Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes

There is a gulf between the script and the artist's intention when analyzing indigenous festivals. The task confronting a critic is to isolate the artist's intention and navigate the sea of esoteric through the available tools. This difficulty specifically confronts the interpretation of...

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Main Author: Segun Omosule
Format: Article
Language:English
Published: LibraryPress@UF 2023-11-01
Series:Yoruba Studies Review
Subjects:
Online Access:https://ojs.test.flvc.org/ysr/article/view/134890
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author Segun Omosule
author_facet Segun Omosule
author_sort Segun Omosule
collection DOAJ
description There is a gulf between the script and the artist's intention when analyzing indigenous festivals. The task confronting a critic is to isolate the artist's intention and navigate the sea of esoteric through the available tools. This difficulty specifically confronts the interpretation of indigenous masquerades. While deploying structuralism and aesthetics, the endeavor is to attempt an explication of the text through eclecticism. An honest critic will quickly resort to eclecticism-which is the deployment of tools depending on the capability of yielding meaning. This study does not find it out of place to dine with the structuralist model with special attention on the synchronic dimension of meaning while exploring aesthetics at the same time. With the help of eclecticism, the study situates masquerades within entertainment and concludes that indigenous attempts at providing pleasure must have informed the emergence of masquerades.
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issn 2473-4713
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publishDate 2023-11-01
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series Yoruba Studies Review
spelling doaj-art-9bf0464db36f4360b091f5c87e56a66f2025-02-07T13:44:10ZengLibraryPress@UFYoruba Studies Review2473-47132578-692X2023-11-0182Interrogating Okooro Masquerade: A Structuralists Reading of the CostumesSegun Omosule0Olabisi Onabanjo University There is a gulf between the script and the artist's intention when analyzing indigenous festivals. The task confronting a critic is to isolate the artist's intention and navigate the sea of esoteric through the available tools. This difficulty specifically confronts the interpretation of indigenous masquerades. While deploying structuralism and aesthetics, the endeavor is to attempt an explication of the text through eclecticism. An honest critic will quickly resort to eclecticism-which is the deployment of tools depending on the capability of yielding meaning. This study does not find it out of place to dine with the structuralist model with special attention on the synchronic dimension of meaning while exploring aesthetics at the same time. With the help of eclecticism, the study situates masquerades within entertainment and concludes that indigenous attempts at providing pleasure must have informed the emergence of masquerades. https://ojs.test.flvc.org/ysr/article/view/134890Masquerades, Entertainment, Structuralism, Eclecticism, Indigenous
spellingShingle Segun Omosule
Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
Yoruba Studies Review
Masquerades, Entertainment, Structuralism, Eclecticism, Indigenous
title Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
title_full Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
title_fullStr Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
title_full_unstemmed Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
title_short Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
title_sort interrogating okooro masquerade a structuralists reading of the costumes
topic Masquerades, Entertainment, Structuralism, Eclecticism, Indigenous
url https://ojs.test.flvc.org/ysr/article/view/134890
work_keys_str_mv AT segunomosule interrogatingokooromasqueradeastructuralistsreadingofthecostumes