Récits de transfuges de classe sur la scène internationale.
The analysis of recent theatre programmes reveals a genuine enthusiasm for self-narratives, particularly those of class defectors, such as Édouard Louis, Didier Eribon, and Annie Ernaux, who was included in the Comédie-Française’s repertoire in 2023. This trend has extended well beyond France, reso...
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| Format: | Article |
| Language: | fra |
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Université de Liège
2025-06-01
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| Series: | Contextes |
| Subjects: | |
| Online Access: | https://journals.openedition.org/contextes/13219 |
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| Summary: | The analysis of recent theatre programmes reveals a genuine enthusiasm for self-narratives, particularly those of class defectors, such as Édouard Louis, Didier Eribon, and Annie Ernaux, who was included in the Comédie-Française’s repertoire in 2023. This trend has extended well beyond France, resonating significantly on the international stage. These productions, often hybrids between documentary film and theatrical/musical performance, draw on these narratives and update them through a transmedial and transcultural process, creating a dialogic space with the audience. This article aims to map out this phenomenon and to analyse key performance mechanisms, demonstrating that extending or distancing from the original narratives allows for a more intersectional examination of mechanisms of domination and oppression, as well as our relationship to discourse and imagery, thereby creating new narratives. |
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| ISSN: | 1783-094X |