Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard

J.M.W. Turner’s watercolour of *Kirkby Lonsdale Churchyard* (circa 1817--18) was produced for engraving in the Rev. Thomas Dunham Whitaker’s topographical publication *An History of Richmondshire* (1823), one of twenty designs Turner contributed to that work. The squabbling schoolboys who dis...

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Main Author: Sam Smiles
Format: Article
Language:English
Published: Yale University 2023-11-01
Series:British Art Studies
Online Access:https://britishartstudies.ac.uk/issues/25/social-and-political-allusions-in-turners-kirkby-lonsdale-churchyard/
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author Sam Smiles
author_facet Sam Smiles
author_sort Sam Smiles
collection DOAJ
description J.M.W. Turner’s watercolour of *Kirkby Lonsdale Churchyard* (circa 1817--18) was produced for engraving in the Rev. Thomas Dunham Whitaker’s topographical publication *An History of Richmondshire* (1823), one of twenty designs Turner contributed to that work. The squabbling schoolboys who disturb the foreground are not routine staffage figures and their presence has always provoked comment. This article proposes that Turner included them as a disguised allusion to the Tory government’s persecution of the political satirist William Hone, whose trials for blasphemy and sedition took place in December 1817. It further suggests that, by situating the incident in Kirkby Lonsdale, Turner was able to make an oblique reference to the political corruption associated with the Earl of Lonsdale’s domination of Westmorland elections. The watercolour can be added to a dozen other examples of works by Turner bearing allusions to the Reform movement, painted in the 1820s and 1830s.
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spelling doaj-art-9b40c40be78e4ea78250339e8561a8e92025-08-20T03:31:02ZengYale UniversityBritish Art Studies2058-54622023-11-012510.17658/issn.2058-5462/issue-25/ssmilesSocial and Political Allusions in Turner’s Kirkby Lonsdale ChurchyardSam Smiles0University of Exeter J.M.W. Turner’s watercolour of *Kirkby Lonsdale Churchyard* (circa 1817--18) was produced for engraving in the Rev. Thomas Dunham Whitaker’s topographical publication *An History of Richmondshire* (1823), one of twenty designs Turner contributed to that work. The squabbling schoolboys who disturb the foreground are not routine staffage figures and their presence has always provoked comment. This article proposes that Turner included them as a disguised allusion to the Tory government’s persecution of the political satirist William Hone, whose trials for blasphemy and sedition took place in December 1817. It further suggests that, by situating the incident in Kirkby Lonsdale, Turner was able to make an oblique reference to the political corruption associated with the Earl of Lonsdale’s domination of Westmorland elections. The watercolour can be added to a dozen other examples of works by Turner bearing allusions to the Reform movement, painted in the 1820s and 1830s. https://britishartstudies.ac.uk/issues/25/social-and-political-allusions-in-turners-kirkby-lonsdale-churchyard/
spellingShingle Sam Smiles
Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
British Art Studies
title Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
title_full Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
title_fullStr Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
title_full_unstemmed Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
title_short Social and Political Allusions in Turner’s Kirkby Lonsdale Churchyard
title_sort social and political allusions in turner s kirkby lonsdale churchyard
url https://britishartstudies.ac.uk/issues/25/social-and-political-allusions-in-turners-kirkby-lonsdale-churchyard/
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