Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal

This article analyzes the aesthetics of the Argentine painter Luis Felipe Noé and his works’ relationship with a critical reading of history. My piece includes the 1961 Serie Federal paintings whose theme refers to the "anarchy of the 1820s" in Argentina. During this period, the country li...

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Main Author: Néstor Ponce
Format: Article
Language:English
Published: TELEMME - UMR 6570 2015-01-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/2366
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author Néstor Ponce
author_facet Néstor Ponce
author_sort Néstor Ponce
collection DOAJ
description This article analyzes the aesthetics of the Argentine painter Luis Felipe Noé and his works’ relationship with a critical reading of history. My piece includes the 1961 Serie Federal paintings whose theme refers to the "anarchy of the 1820s" in Argentina. During this period, the country lived a period of great political and military instability, following opposition from the capital Buenos Aires and the provinces. To address this chaotic period of history, which shares similarities with that of the late 50s and early 60s and with the confrontation between Peronists and anti-Peronists, the painter proposed to "assume" chaos, ie Sarmiento overcome opposition and "Civilization or Barbarism" recognized the values of "barbarism" as a manifestation of otherness identity. Noé’s aesthetics is one of transgression: he questions the pictorial language and proposes a "barbaric beauty" which questions the traditional message of the painting Argentina gender his work proposes a rereading of history which goes against the grain of the official history.
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spelling doaj-art-9ad83cd4b42f43a1a0085f102e5d4ea52025-01-09T16:32:00ZengTELEMME - UMR 6570Amnis1764-71932015-01-01110.4000/amnis.2366Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federalNéstor PonceThis article analyzes the aesthetics of the Argentine painter Luis Felipe Noé and his works’ relationship with a critical reading of history. My piece includes the 1961 Serie Federal paintings whose theme refers to the "anarchy of the 1820s" in Argentina. During this period, the country lived a period of great political and military instability, following opposition from the capital Buenos Aires and the provinces. To address this chaotic period of history, which shares similarities with that of the late 50s and early 60s and with the confrontation between Peronists and anti-Peronists, the painter proposed to "assume" chaos, ie Sarmiento overcome opposition and "Civilization or Barbarism" recognized the values of "barbarism" as a manifestation of otherness identity. Noé’s aesthetics is one of transgression: he questions the pictorial language and proposes a "barbaric beauty" which questions the traditional message of the painting Argentina gender his work proposes a rereading of history which goes against the grain of the official history.https://journals.openedition.org/amnis/2366ArgentinaAnarchy 1820Luis Felipe NoéPaintingVision of history
spellingShingle Néstor Ponce
Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
Amnis
Argentina
Anarchy 1820
Luis Felipe Noé
Painting
Vision of history
title Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
title_full Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
title_fullStr Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
title_full_unstemmed Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
title_short Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal
title_sort luis felipe noe pintura y conflicto civil argentino 1820 1830 a traves de la serie federal
topic Argentina
Anarchy 1820
Luis Felipe Noé
Painting
Vision of history
url https://journals.openedition.org/amnis/2366
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