Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini
I would like to show in this paper that it is legitimate and fruitful to consider Fellini’s and Pasolini’s works through Warburg’s studies of the Quattrocento or of the Hopis in America. The comparison of their methods paves the way for new perspectives on their relation to the past. Indeed, we may...
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| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2011-01-01
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| Series: | Mise au Point |
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| Online Access: | https://journals.openedition.org/map/992 |
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| author | Anne-Violaine Houcke |
| author_facet | Anne-Violaine Houcke |
| author_sort | Anne-Violaine Houcke |
| collection | DOAJ |
| description | I would like to show in this paper that it is legitimate and fruitful to consider Fellini’s and Pasolini’s works through Warburg’s studies of the Quattrocento or of the Hopis in America. The comparison of their methods paves the way for new perspectives on their relation to the past. Indeed, we may see the return to Antiquity in their works as a way to bring into light the return of the Antiquity, considered here as the symptomatic forms of a past still living in the present. Warburg was not particularly interested in cinema, but his work on the Image and on representations opens interesting perspectives on the way Fellini and Pasolini questioned their own means of expression, thanks to the Antiquity. |
| format | Article |
| id | doaj-art-9ac7e654a09e4dba9be6e26e352353c3 |
| institution | OA Journals |
| issn | 2261-9623 |
| language | English |
| publishDate | 2011-01-01 |
| publisher | Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
| record_format | Article |
| series | Mise au Point |
| spelling | doaj-art-9ac7e654a09e4dba9be6e26e352353c32025-08-20T01:55:57ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232011-01-01310.4000/map.992Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et PasoliniAnne-Violaine HouckeI would like to show in this paper that it is legitimate and fruitful to consider Fellini’s and Pasolini’s works through Warburg’s studies of the Quattrocento or of the Hopis in America. The comparison of their methods paves the way for new perspectives on their relation to the past. Indeed, we may see the return to Antiquity in their works as a way to bring into light the return of the Antiquity, considered here as the symptomatic forms of a past still living in the present. Warburg was not particularly interested in cinema, but his work on the Image and on representations opens interesting perspectives on the way Fellini and Pasolini questioned their own means of expression, thanks to the Antiquity.https://journals.openedition.org/map/992modernityantiquitysurvivalinventionMnemosyne |
| spellingShingle | Anne-Violaine Houcke Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini Mise au Point modernity antiquity survival invention Mnemosyne |
| title | Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini |
| title_full | Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini |
| title_fullStr | Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini |
| title_full_unstemmed | Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini |
| title_short | Le retour de l’antique dans le cinéma italien moderne : de Warburg à Fellini et Pasolini |
| title_sort | le retour de l antique dans le cinema italien moderne de warburg a fellini et pasolini |
| topic | modernity antiquity survival invention Mnemosyne |
| url | https://journals.openedition.org/map/992 |
| work_keys_str_mv | AT anneviolainehoucke leretourdelantiquedanslecinemaitalienmodernedewarburgafellinietpasolini |