“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933
This article discusses the endeavors to build a harmonious relationship between the colony of the Dutch East Indies and the motherland, the Netherlands, through the association politics in Indische toneel (Indies play) performances of Karina Adinda and Boeddhakind in 1913-1933. In the midst of the n...
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| Format: | Article |
| Language: | English |
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Master Program of History, Department of History, Faculty of Humanities, Diponegoro University
2024-01-01
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| Series: | IHiS (Indonesian Historical Studies) |
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| Online Access: | https://ejournal2.undip.ac.id/index.php/ihis/article/view/19148 |
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| author | Khairana Zata Nugroho Singgih Tri Sulistiyono Dhanang Respati Puguh |
| author_facet | Khairana Zata Nugroho Singgih Tri Sulistiyono Dhanang Respati Puguh |
| author_sort | Khairana Zata Nugroho |
| collection | DOAJ |
| description | This article discusses the endeavors to build a harmonious relationship between the colony of the Dutch East Indies and the motherland, the Netherlands, through the association politics in Indische toneel (Indies play) performances of Karina Adinda and Boeddhakind in 1913-1933. In the midst of the natives movement, where the natives put in motion their thoughts and ideas against the oppressive colonial government, a new cultural consciousness that desired a dialogue between East and West also appeared as the consequences of the implementation of the Dutch Ethical Policy. One of its aspects was performing art. Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. The performances were produced in cooperation with organizations such as Vereeniging Oost en West, Het Nederlandsch-Indonesisch Verbond van Jongeren-Organisaties (NIVJO), and other Indonesian students in the Dutch East Indies and the Netherlands. The performances garnered disapproval from nationalists and praise from ethnicists |
| format | Article |
| id | doaj-art-9a956933aa7f40baa8acceba4b65e004 |
| institution | Kabale University |
| issn | 2579-4213 |
| language | English |
| publishDate | 2024-01-01 |
| publisher | Master Program of History, Department of History, Faculty of Humanities, Diponegoro University |
| record_format | Article |
| series | IHiS (Indonesian Historical Studies) |
| spelling | doaj-art-9a956933aa7f40baa8acceba4b65e0042025-01-20T06:46:14ZengMaster Program of History, Department of History, Faculty of Humanities, Diponegoro UniversityIHiS (Indonesian Historical Studies)2579-42132024-01-017215416410.14710/ihis.v7i2.191488985“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933Khairana Zata Nugroho0https://orcid.org/0000-0003-0397-0195Singgih Tri Sulistiyono1Dhanang Respati Puguh2Master Program of History, Faculty of Humanities, Universitas Diponegoro, IndonesiaMaster Program of History, Faculty of Humanities, Universitas Diponegoro, IndonesiaMaster Program of History, Faculty of Humanities, Universitas Diponegoro, IndonesiaThis article discusses the endeavors to build a harmonious relationship between the colony of the Dutch East Indies and the motherland, the Netherlands, through the association politics in Indische toneel (Indies play) performances of Karina Adinda and Boeddhakind in 1913-1933. In the midst of the natives movement, where the natives put in motion their thoughts and ideas against the oppressive colonial government, a new cultural consciousness that desired a dialogue between East and West also appeared as the consequences of the implementation of the Dutch Ethical Policy. One of its aspects was performing art. Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. The performances were produced in cooperation with organizations such as Vereeniging Oost en West, Het Nederlandsch-Indonesisch Verbond van Jongeren-Organisaties (NIVJO), and other Indonesian students in the Dutch East Indies and the Netherlands. The performances garnered disapproval from nationalists and praise from ethnicistshttps://ejournal2.undip.ac.id/index.php/ihis/article/view/19148indische toneelcolonialismassociation politicspribumidrama. |
| spellingShingle | Khairana Zata Nugroho Singgih Tri Sulistiyono Dhanang Respati Puguh “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 IHiS (Indonesian Historical Studies) indische toneel colonialism association politics pribumi drama. |
| title | “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 |
| title_full | “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 |
| title_fullStr | “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 |
| title_full_unstemmed | “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 |
| title_short | “De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 |
| title_sort | de moelijike middenweg association politics between the dutch east indie and the netherlands through indische toneel 1913 1933 |
| topic | indische toneel colonialism association politics pribumi drama. |
| url | https://ejournal2.undip.ac.id/index.php/ihis/article/view/19148 |
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