L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques
This article broaches the subject of national independence in Cuban films, in order to reveal that films produced within the framework of the commemorations of this event in 1968 stand out through their quantity as well as through their quality. Yet this formal proliferation mustn’t leave out that t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2010-04-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/7752 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841551350509338624 |
|---|---|
| author | Julie Amiot |
| author_facet | Julie Amiot |
| author_sort | Julie Amiot |
| collection | DOAJ |
| description | This article broaches the subject of national independence in Cuban films, in order to reveal that films produced within the framework of the commemorations of this event in 1968 stand out through their quantity as well as through their quality. Yet this formal proliferation mustn’t leave out that these projects were clearly inscribed in a very tense discursive framework, installed at the beginning of the Revolution by means of speeches and legislative texts strictly framing the film production, from the material point of view as well as through the contents of works. Therefore, the analysis of speeches accompanying the films enables to show that the putting forward of their formal creativity –real– has lead to save thinking about the ideological conformism of their content. |
| format | Article |
| id | doaj-art-9a5b44a12b354b8694f187548d2e020d |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2010-04-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-9a5b44a12b354b8694f187548d2e020d2025-01-09T16:14:52ZspaPresses universitaires du MidiCaravelle1147-67532272-98282010-04-0194799810.4000/caravelle.7752L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiquesJulie AmiotThis article broaches the subject of national independence in Cuban films, in order to reveal that films produced within the framework of the commemorations of this event in 1968 stand out through their quantity as well as through their quality. Yet this formal proliferation mustn’t leave out that these projects were clearly inscribed in a very tense discursive framework, installed at the beginning of the Revolution by means of speeches and legislative texts strictly framing the film production, from the material point of view as well as through the contents of works. Therefore, the analysis of speeches accompanying the films enables to show that the putting forward of their formal creativity –real– has lead to save thinking about the ideological conformism of their content.https://journals.openedition.org/caravelle/7752HistoriographieCommémorationsCinéma cubainInnovation formelleContrôle idéologique |
| spellingShingle | Julie Amiot L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques Caravelle Historiographie Commémorations Cinéma cubain Innovation formelle Contrôle idéologique |
| title | L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques |
| title_full | L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques |
| title_fullStr | L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques |
| title_full_unstemmed | L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques |
| title_short | L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques |
| title_sort | l independance cubaine au miroir du cinema enjeux ideologiques esthetiques et historiographiques |
| topic | Historiographie Commémorations Cinéma cubain Innovation formelle Contrôle idéologique |
| url | https://journals.openedition.org/caravelle/7752 |
| work_keys_str_mv | AT julieamiot lindependancecubaineaumiroirducinemaenjeuxideologiquesesthetiquesethistoriographiques |