Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale

This paper aims to identify the factors contributing to the emergence of emotion in set-ups staging heritage items. In order to demonstrate how literary exhibitions use the same means as the author’s construct of his/her own public image, we will focus on the emblematic example of late 19th century...

Full description

Saved in:
Bibliographic Details
Main Authors: Laurence Boudart, Christophe Meurée
Format: Article
Language:fra
Published: Pléiade (EA 7338) 2022-11-01
Series:Itinéraires
Subjects:
Online Access:https://journals.openedition.org/itineraires/12162
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849327877046140928
author Laurence Boudart
Christophe Meurée
author_facet Laurence Boudart
Christophe Meurée
author_sort Laurence Boudart
collection DOAJ
description This paper aims to identify the factors contributing to the emergence of emotion in set-ups staging heritage items. In order to demonstrate how literary exhibitions use the same means as the author’s construct of his/her own public image, we will focus on the emblematic example of late 19th century Belgian writer Emile Verhaeren. In an age of mechanical reproduction (Benjamin) and (almost) unlimited access, sacralization and authenticity reinforce the uniqueness of any visitor’s encounter with a heritage site or object. Exhibitions thus rely on effects of authenticity, creating a paradoxical reality in which the visitor and the writer seem to share intimacy.
format Article
id doaj-art-9a4c41b902c940dda4ede0b99cb5691a
institution Kabale University
issn 2427-920X
language fra
publishDate 2022-11-01
publisher Pléiade (EA 7338)
record_format Article
series Itinéraires
spelling doaj-art-9a4c41b902c940dda4ede0b99cb5691a2025-08-20T03:47:44ZfraPléiade (EA 7338)Itinéraires2427-920X2022-11-012022110.4000/itineraires.12162Objets authentiques, objets sacrés : de la construction de l’émotion patrimonialeLaurence BoudartChristophe MeuréeThis paper aims to identify the factors contributing to the emergence of emotion in set-ups staging heritage items. In order to demonstrate how literary exhibitions use the same means as the author’s construct of his/her own public image, we will focus on the emblematic example of late 19th century Belgian writer Emile Verhaeren. In an age of mechanical reproduction (Benjamin) and (almost) unlimited access, sacralization and authenticity reinforce the uniqueness of any visitor’s encounter with a heritage site or object. Exhibitions thus rely on effects of authenticity, creating a paradoxical reality in which the visitor and the writer seem to share intimacy.https://journals.openedition.org/itineraires/12162emotionauthenticityliterary exhibitionspatrimonializationsacralizationEmile Verhaeren.
spellingShingle Laurence Boudart
Christophe Meurée
Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
Itinéraires
emotion
authenticity
literary exhibitions
patrimonialization
sacralization
Emile Verhaeren.
title Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
title_full Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
title_fullStr Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
title_full_unstemmed Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
title_short Objets authentiques, objets sacrés : de la construction de l’émotion patrimoniale
title_sort objets authentiques objets sacres de la construction de l emotion patrimoniale
topic emotion
authenticity
literary exhibitions
patrimonialization
sacralization
Emile Verhaeren.
url https://journals.openedition.org/itineraires/12162
work_keys_str_mv AT laurenceboudart objetsauthentiquesobjetssacresdelaconstructiondelemotionpatrimoniale
AT christophemeuree objetsauthentiquesobjetssacresdelaconstructiondelemotionpatrimoniale