Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular »
As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popula...
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Format: | Article |
Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2023-09-01
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Series: | Cahiers de Civilisation Espagnole Contemporaine |
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Online Access: | https://journals.openedition.org/ccec/15216 |
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author | Pierre Géal |
author_facet | Pierre Géal |
author_sort | Pierre Géal |
collection | DOAJ |
description | As early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popular », designed by Victoriano Ametller and Louis Charles Legrand, dated 1853, implements a graphic and textual discourse that is both complex and highly effective, which aims to bring together beyond of the Republican-Democratic camp. Its impact is confirmed by the reaction it provoked from Isabella II, who tried to censor it. |
format | Article |
id | doaj-art-9a2b78948a55474ea663f414fd78483b |
institution | Kabale University |
issn | 1957-7761 |
language | English |
publishDate | 2023-09-01 |
publisher | Centre de Recherches Ibériques et Ibéro-Américaines |
record_format | Article |
series | Cahiers de Civilisation Espagnole Contemporaine |
spelling | doaj-art-9a2b78948a55474ea663f414fd78483b2025-01-30T10:09:54ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612023-09-013010.4000/ccec.15216Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular »Pierre GéalAs early as 1820, the liberals developed a martyrdom pantheon that provided their movement with heroic referents capable of embodying the values they defended, but also of stimulating the political commitment of their compatriots. Particularly innovative, the lithograph « Víctimas de la causa popular », designed by Victoriano Ametller and Louis Charles Legrand, dated 1853, implements a graphic and textual discourse that is both complex and highly effective, which aims to bring together beyond of the Republican-Democratic camp. Its impact is confirmed by the reaction it provoked from Isabella II, who tried to censor it.https://journals.openedition.org/ccec/15216printAmetllerLegrandmartyrspolitical culture |
spellingShingle | Pierre Géal Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » Cahiers de Civilisation Espagnole Contemporaine Ametller Legrand martyrs political culture |
title | Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » |
title_full | Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » |
title_fullStr | Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » |
title_full_unstemmed | Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » |
title_short | Un panthéon martyrial censuré par Isabelle II : enquête sur l’estampe « Víctimas de la causa popular » |
title_sort | un pantheon martyrial censure par isabelle ii enquete sur l estampe victimas de la causa popular |
topic | print Ametller Legrand martyrs political culture |
url | https://journals.openedition.org/ccec/15216 |
work_keys_str_mv | AT pierregeal unpantheonmartyrialcensureparisabelleiienquetesurlestampevictimasdelacausapopular |