Le zombie dans World War Z, métaphore d’une pandémie globale

The novel World War Z describes an epidemic of zombies whose origin is in China and which decimates humanity in a few years. The zombic imagination allows us to wonder about the destabilization of human organizations in the face of a global pandemic. Collapsological theories envisage the end of tech...

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Main Author: Thomas Michaud
Format: Article
Language:English
Published: Presses Universitaires du Midi 2020-03-01
Series:Caliban: French Journal of English Studies
Subjects:
Online Access:https://journals.openedition.org/caliban/7439
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author Thomas Michaud
author_facet Thomas Michaud
author_sort Thomas Michaud
collection DOAJ
description The novel World War Z describes an epidemic of zombies whose origin is in China and which decimates humanity in a few years. The zombic imagination allows us to wonder about the destabilization of human organizations in the face of a global pandemic. Collapsological theories envisage the end of technostructure by phenomena like epidemics. It is a form of neoapocalyptic thought reflecting the doubts of American and Western civilization following attacks such as 9/11. The reintoduction of zombies by the entertainment industry makes it possible to reactivate ancestral fears and crystallize the most violent anxieties and aspirations of society. The mythology of zombies serves as a sectorial myth for medicine, and more particularly for actors responsible for the regulation of epidemics that can potentially decimate humanity.
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institution Kabale University
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series Caliban: French Journal of English Studies
spelling doaj-art-99614b4e37da4b0fb1cd0d7524bdd8dc2025-08-20T03:39:54ZengPresses Universitaires du MidiCaliban: French Journal of English Studies2425-62502431-17662020-03-016314115510.4000/caliban.7439Le zombie dans World War Z, métaphore d’une pandémie globaleThomas MichaudThe novel World War Z describes an epidemic of zombies whose origin is in China and which decimates humanity in a few years. The zombic imagination allows us to wonder about the destabilization of human organizations in the face of a global pandemic. Collapsological theories envisage the end of technostructure by phenomena like epidemics. It is a form of neoapocalyptic thought reflecting the doubts of American and Western civilization following attacks such as 9/11. The reintoduction of zombies by the entertainment industry makes it possible to reactivate ancestral fears and crystallize the most violent anxieties and aspirations of society. The mythology of zombies serves as a sectorial myth for medicine, and more particularly for actors responsible for the regulation of epidemics that can potentially decimate humanity.https://journals.openedition.org/caliban/7439apocalypsezombiepandemiccollapsologysectorial mythscience fiction
spellingShingle Thomas Michaud
Le zombie dans World War Z, métaphore d’une pandémie globale
Caliban: French Journal of English Studies
apocalypse
zombie
pandemic
collapsology
sectorial myth
science fiction
title Le zombie dans World War Z, métaphore d’une pandémie globale
title_full Le zombie dans World War Z, métaphore d’une pandémie globale
title_fullStr Le zombie dans World War Z, métaphore d’une pandémie globale
title_full_unstemmed Le zombie dans World War Z, métaphore d’une pandémie globale
title_short Le zombie dans World War Z, métaphore d’une pandémie globale
title_sort le zombie dans world war z metaphore d une pandemie globale
topic apocalypse
zombie
pandemic
collapsology
sectorial myth
science fiction
url https://journals.openedition.org/caliban/7439
work_keys_str_mv AT thomasmichaud lezombiedansworldwarzmetaphoredunepandemieglobale