Incandescence du traumatisme dans Tetro de Francis Ford Coppola
In this article I provide an in-depth analysis of Francis Ford Coppola’s Tetro (2009), relying on narratological and psychoanalytical tools in connection with recent critical developments in trauma theory. My analysis focuses on the film’s deceitful and fluctuating narrative organization and some re...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-10-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/4341 |
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| author | Jocelyn Dupont |
| author_facet | Jocelyn Dupont |
| author_sort | Jocelyn Dupont |
| collection | DOAJ |
| description | In this article I provide an in-depth analysis of Francis Ford Coppola’s Tetro (2009), relying on narratological and psychoanalytical tools in connection with recent critical developments in trauma theory. My analysis focuses on the film’s deceitful and fluctuating narrative organization and some related technical and directorial choices, such as the shifting, elusive materiality of the film’s images. In Tetro, a film which relies on strategies of haunting and encrypted family secrets, Coppola opts for incandescence as his main visual metaphor to shed light on the ghosts of the past. |
| format | Article |
| id | doaj-art-99575cdda7164972995965e90d041f38 |
| institution | Kabale University |
| issn | 1272-3819 1969-6302 |
| language | English |
| publishDate | 2015-10-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj-art-99575cdda7164972995965e90d041f382025-01-30T13:47:43ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022015-10-011910.4000/sillagescritiques.4341Incandescence du traumatisme dans Tetro de Francis Ford CoppolaJocelyn DupontIn this article I provide an in-depth analysis of Francis Ford Coppola’s Tetro (2009), relying on narratological and psychoanalytical tools in connection with recent critical developments in trauma theory. My analysis focuses on the film’s deceitful and fluctuating narrative organization and some related technical and directorial choices, such as the shifting, elusive materiality of the film’s images. In Tetro, a film which relies on strategies of haunting and encrypted family secrets, Coppola opts for incandescence as his main visual metaphor to shed light on the ghosts of the past.https://journals.openedition.org/sillagescritiques/4341flashbacktraumaFrancis Ford CoppolaTetrotrauma fiction |
| spellingShingle | Jocelyn Dupont Incandescence du traumatisme dans Tetro de Francis Ford Coppola Sillages Critiques flashback trauma Francis Ford Coppola Tetro trauma fiction |
| title | Incandescence du traumatisme dans Tetro de Francis Ford Coppola |
| title_full | Incandescence du traumatisme dans Tetro de Francis Ford Coppola |
| title_fullStr | Incandescence du traumatisme dans Tetro de Francis Ford Coppola |
| title_full_unstemmed | Incandescence du traumatisme dans Tetro de Francis Ford Coppola |
| title_short | Incandescence du traumatisme dans Tetro de Francis Ford Coppola |
| title_sort | incandescence du traumatisme dans tetro de francis ford coppola |
| topic | flashback trauma Francis Ford Coppola Tetro trauma fiction |
| url | https://journals.openedition.org/sillagescritiques/4341 |
| work_keys_str_mv | AT jocelyndupont incandescencedutraumatismedanstetrodefrancisfordcoppola |