L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête

The Native American ethnic group has always been used and abused, not to say manipulated, by the medium of cinema. Such an exploitation of the image of the Indian responded to the demands of a new form of artistic expression which was extremely graphic and violent, as were graphic and visually viole...

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Main Author: Anne Garrait-Bourrier
Format: Article
Language:English
Published: Presses universitaires de Rennes 2004-12-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/2756
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author Anne Garrait-Bourrier
author_facet Anne Garrait-Bourrier
author_sort Anne Garrait-Bourrier
collection DOAJ
description The Native American ethnic group has always been used and abused, not to say manipulated, by the medium of cinema. Such an exploitation of the image of the Indian responded to the demands of a new form of artistic expression which was extremely graphic and violent, as were graphic and visually violent the first western movies. As an artistic genre, cinema really manipulated the classical stereotypes related to the Indian in order to use him as a « character » detached from any historical reality. It is not surprising though to see that the evolution over time of this widely exploited « character » can be equated to a long wandering from exaggeration to understatement, to eventually reach the political expression of the Indians themselves. All this turmoil and agitation did correspond to the modus operandi of the Hollywoodian « system ».
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spelling doaj-art-980f248cadf642a4a54f29b65effda2a2025-08-20T02:43:36ZengPresses universitaires de RennesRevue LISA1762-61532004-12-012103010.4000/lisa.2756L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquêteAnne Garrait-BourrierThe Native American ethnic group has always been used and abused, not to say manipulated, by the medium of cinema. Such an exploitation of the image of the Indian responded to the demands of a new form of artistic expression which was extremely graphic and violent, as were graphic and visually violent the first western movies. As an artistic genre, cinema really manipulated the classical stereotypes related to the Indian in order to use him as a « character » detached from any historical reality. It is not surprising though to see that the evolution over time of this widely exploited « character » can be equated to a long wandering from exaggeration to understatement, to eventually reach the political expression of the Indians themselves. All this turmoil and agitation did correspond to the modus operandi of the Hollywoodian « system ».https://journals.openedition.org/lisa/2756cinemawestern moviesIndian representationIndian stereotypeauthenticity
spellingShingle Anne Garrait-Bourrier
L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
Revue LISA
cinema
western movies
Indian representation
Indian stereotype
authenticity
title L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
title_full L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
title_fullStr L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
title_full_unstemmed L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
title_short L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête
title_sort l iconographie de l indien dans le cinema americain de la manipulation de l image a sa reconquete
topic cinema
western movies
Indian representation
Indian stereotype
authenticity
url https://journals.openedition.org/lisa/2756
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