Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico

Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, be...

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Main Authors: Maria da Conceição Francisca Pires, Sergio Luiz Pereira da Silva
Format: Article
Language:Portuguese
Published: Universidade do Vale do Rio dos Sinos (UNISINOS) 2016-01-01
Series:Ciências Sociais Unisinos
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=93849899015
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author Maria da Conceição Francisca Pires
Sergio Luiz Pereira da Silva
author_facet Maria da Conceição Francisca Pires
Sergio Luiz Pereira da Silva
author_sort Maria da Conceição Francisca Pires
collection DOAJ
description Based on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, becoming the reference of a certain historical reality. We understand that these images have in common the relationship they established with the memories and experiences of the societies they represent and that they create for the audience a visual narrative about the lived experience. They influence their social and political dynamics in the public sphere, as well as favoring a reflection about the photographic act, concerning its technical work and its political character.
format Article
id doaj-art-97c49bb9cbf74c38a5725baf0218eec2
institution Kabale University
issn 2177-6229
language Portuguese
publishDate 2016-01-01
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
record_format Article
series Ciências Sociais Unisinos
spelling doaj-art-97c49bb9cbf74c38a5725baf0218eec22025-02-06T23:31:41ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Ciências Sociais Unisinos2177-62292016-01-01523437446Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográficoMaria da Conceição Francisca PiresSergio Luiz Pereira da SilvaBased on the works of Barthes (1980), Benjamin (1996), Bourdieu (1979) and Halbwachs (1990), we discuss the elements that favored that the photographs “Migrant Mother” (by Dorothea Lange, 1936) and “The Death of the Militiaman” (by Robert Capa, 1936) were incorporated into a collective imaginary, becoming the reference of a certain historical reality. We understand that these images have in common the relationship they established with the memories and experiences of the societies they represent and that they create for the audience a visual narrative about the lived experience. They influence their social and political dynamics in the public sphere, as well as favoring a reflection about the photographic act, concerning its technical work and its political character.http://www.redalyc.org/articulo.oa?id=93849899015auraphotographymemory
spellingShingle Maria da Conceição Francisca Pires
Sergio Luiz Pereira da Silva
Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
Ciências Sociais Unisinos
aura
photography
memory
title Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_full Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_fullStr Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_full_unstemmed Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_short Fotografia e aderência simbólica: “aura”, “engajamento” e “memória” no protagonismo fotográfico
title_sort fotografia e aderencia simbolica aura engajamento e memoria no protagonismo fotografico
topic aura
photography
memory
url http://www.redalyc.org/articulo.oa?id=93849899015
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