The Triptych of Dorian Gray (1890–91): Reading Wilde’s Novel as Three Print Objects
Oscar Wilde’s novel The Picture of Dorian Gray has the rare distinction of having not only controversial content, but a controversial textual history as well. In fact, the two are inseparable. The prosecutors in Wilde’s trials made use of the fact that Wilde had changed—or ‘purged’, as they put it—m...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2016-11-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cve/2978 |
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