La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)

Photographer François Kollar gained notoriety with the reportage La France travaille published by Horizons de France Publishing between 1931 and 1934. These images, today in the Forney library, are a document to write the history of the work. The article focuses on artisans in this reportage. It won...

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Main Author: Cédric Perrin
Format: Article
Language:fra
Published: Université de Poitiers 2022-02-01
Series:Images du Travail, Travail des Images
Subjects:
Online Access:https://journals.openedition.org/itti/2483
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author Cédric Perrin
author_facet Cédric Perrin
author_sort Cédric Perrin
collection DOAJ
description Photographer François Kollar gained notoriety with the reportage La France travaille published by Horizons de France Publishing between 1931 and 1934. These images, today in the Forney library, are a document to write the history of the work. The article focuses on artisans in this reportage. It wonders to what extent these photographs constitute an archive of the craftsmen’s work. It first confronts them with our knowledge of the crafts of the 1930s, a socio-professional group that was organized itself in the interwar period and to which Kollar is close. Then, it analyses what Kollar shows about these workers, their work, its operations, gestures, postures and know-how, but also what he left off-camera.
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series Images du Travail, Travail des Images
spelling doaj-art-96225c443ba44c9bbf7262b2b1feb3232025-08-20T02:02:47ZfraUniversité de PoitiersImages du Travail, Travail des Images2778-86282022-02-011210.4000/itti.2483La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)Cédric PerrinPhotographer François Kollar gained notoriety with the reportage La France travaille published by Horizons de France Publishing between 1931 and 1934. These images, today in the Forney library, are a document to write the history of the work. The article focuses on artisans in this reportage. It wonders to what extent these photographs constitute an archive of the craftsmen’s work. It first confronts them with our knowledge of the crafts of the 1930s, a socio-professional group that was organized itself in the interwar period and to which Kollar is close. Then, it analyses what Kollar shows about these workers, their work, its operations, gestures, postures and know-how, but also what he left off-camera.https://journals.openedition.org/itti/2483photographyworkcraftsmanFrançois Kollarartisanat
spellingShingle Cédric Perrin
La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
Images du Travail, Travail des Images
photography
work
craftsman
François Kollar
artisanat
title La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
title_full La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
title_fullStr La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
title_full_unstemmed La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
title_short La chambre dans l’atelier. François Kollar et le travail des artisans (1931-1934)
title_sort la chambre dans l atelier francois kollar et le travail des artisans 1931 1934
topic photography
work
craftsman
François Kollar
artisanat
url https://journals.openedition.org/itti/2483
work_keys_str_mv AT cedricperrin lachambredanslatelierfrancoiskollaretletravaildesartisans19311934