Du reportage graphique et du carnet de reportage : images géopolitiques, regards de reporters et témoignages du réel

Depending on the look of a cartoonist, journalist or cartoonist traveling (carnettiste), a typology of contemporary reportage travelogues emerges through the history of graphic reportage since 1820. It oscillates between two trends, the graphic novel designed and reporting reportage documentary mult...

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Bibliographic Details
Main Author: Pascale Argod
Format: Article
Language:English
Published: Société Royale Belge de Géographie and the Belgian National Committee of Geography 2014-12-01
Series:Belgeo
Subjects:
Online Access:https://journals.openedition.org/belgeo/12843
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Summary:Depending on the look of a cartoonist, journalist or cartoonist traveling (carnettiste), a typology of contemporary reportage travelogues emerges through the history of graphic reportage since 1820. It oscillates between two trends, the graphic novel designed and reporting reportage documentary multi graphics, and two look at the news, the journalist and that of the artist. The selected angle, composition (significant assembly) of the image allow to understand the places and the links between narrative text and image. This is to define what the story book as editorial genre and see how revolves journalistic look with lived witness and reality, from the analysis of four titles in territories to geopolitics burning since 2004 (Afghanistan, Iraq, Palestine and the Arabian Sea). The combination of images and graphic arts opens a new visual narrative that defines this media genre, became intermedial.
ISSN:1377-2368
2294-9135