Edgar Morin et les théories sociales du cinéma en France
Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to his meeting with Georges Friedmann and joining...
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| Format: | Article |
| Language: | English |
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Éditions de la Sorbonne
2021-11-01
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| Series: | Revue d’Histoire des Sciences Humaines |
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| Online Access: | http://journals.openedition.org/rhsh/6338 |
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| author | Valérie Vignaux |
| author_facet | Valérie Vignaux |
| author_sort | Valérie Vignaux |
| collection | DOAJ |
| description | Edgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to his meeting with Georges Friedmann and joining the research group he headed at the Institut de filmologie. This trajectory testifies to the existence of a French school of cinema as a social fact, which had been active since the 1920s and included Henri Wallon, Léon Moussinac and Georges Sadoul, among others. In putting Edgar Morin’s work into its intellectual and institutional context, the article situates its place in a history of French theories of cinema. |
| format | Article |
| id | doaj-art-94baed098d334be79f2152de7ae6b122 |
| institution | Kabale University |
| issn | 1963-1022 |
| language | English |
| publishDate | 2021-11-01 |
| publisher | Éditions de la Sorbonne |
| record_format | Article |
| series | Revue d’Histoire des Sciences Humaines |
| spelling | doaj-art-94baed098d334be79f2152de7ae6b1222025-08-20T03:37:28ZengÉditions de la SorbonneRevue d’Histoire des Sciences Humaines1963-10222021-11-0139476310.4000/rhsh.6338Edgar Morin et les théories sociales du cinéma en FranceValérie VignauxEdgar Morin’s ideas on cinema, mainly from the 1950s, were long considered original. In order to pinpoint their specificity, this study goes back over Morin’s career, from his discovery of cinema between the wars and his activities in the Resistance to his meeting with Georges Friedmann and joining the research group he headed at the Institut de filmologie. This trajectory testifies to the existence of a French school of cinema as a social fact, which had been active since the 1920s and included Henri Wallon, Léon Moussinac and Georges Sadoul, among others. In putting Edgar Morin’s work into its intellectual and institutional context, the article situates its place in a history of French theories of cinema.http://journals.openedition.org/rhsh/6338Edgar Morinfilm theoryfilmologyfilm historysociology of cinema |
| spellingShingle | Valérie Vignaux Edgar Morin et les théories sociales du cinéma en France Revue d’Histoire des Sciences Humaines Edgar Morin film theory filmology film history sociology of cinema |
| title | Edgar Morin et les théories sociales du cinéma en France |
| title_full | Edgar Morin et les théories sociales du cinéma en France |
| title_fullStr | Edgar Morin et les théories sociales du cinéma en France |
| title_full_unstemmed | Edgar Morin et les théories sociales du cinéma en France |
| title_short | Edgar Morin et les théories sociales du cinéma en France |
| title_sort | edgar morin et les theories sociales du cinema en france |
| topic | Edgar Morin film theory filmology film history sociology of cinema |
| url | http://journals.openedition.org/rhsh/6338 |
| work_keys_str_mv | AT valerievignaux edgarmorinetlestheoriessocialesducinemaenfrance |