Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis
The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O mache...
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Format: | Article |
Language: | Spanish |
Published: |
Universidade de Brasília
2011-01-01
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Series: | Estudos de Literatura Brasileira Contemporânea |
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Online Access: | http://www.redalyc.org/articulo.oa?id=323127102011 |
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author | Idelber Avelar |
author_facet | Idelber Avelar |
author_sort | Idelber Avelar |
collection | DOAJ |
description | The article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality. |
format | Article |
id | doaj-art-94b5a22c19684248a72cf7c91109d96c |
institution | Kabale University |
issn | 1518-0158 2316-4018 |
language | Spanish |
publishDate | 2011-01-01 |
publisher | Universidade de Brasília |
record_format | Article |
series | Estudos de Literatura Brasileira Contemporânea |
spelling | doaj-art-94b5a22c19684248a72cf7c91109d96c2025-02-07T19:44:34ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182011-01-0137171188Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de AssisIdelber AvelarThe article discusses the tension between high culture, the emerging popular cul- ture, and the incipient mass culture through an analysis of the status of music in Machado de Assis’s work. Devoting special attention to a set of newspaper chronicles and to the stories “Um homem célebre” and “O machete”, the article postulates that Machado’s work was the first literary reflection on music as a pri- vileged cipher of nationality.http://www.redalyc.org/articulo.oa?id=323127102011musicpopular culturemachado de assis |
spellingShingle | Idelber Avelar Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis Estudos de Literatura Brasileira Contemporânea music popular culture machado de assis |
title | Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis |
title_full | Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis |
title_fullStr | Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis |
title_full_unstemmed | Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis |
title_short | Entre o violoncelo e o cavaquinho: música e sujeito popular em Machado de Assis |
title_sort | entre o violoncelo e o cavaquinho musica e sujeito popular em machado de assis |
topic | music popular culture machado de assis |
url | http://www.redalyc.org/articulo.oa?id=323127102011 |
work_keys_str_mv | AT idelberavelar entreoviolonceloeocavaquinhomusicaesujeitopopularemmachadodeassis |