La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ?
Dedication letters prior to Pierre du Ryer’s plays meet with an interesting development. The author chooses protectors that are powerful but also dissenters, like César de Vendôme. Eventually, he gives up dedication. There is one pivotal preface in his work: the dedication letter of his tragedy Saul...
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| Format: | Article |
| Language: | fra |
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Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
2022-02-01
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| Series: | Les Dossiers du GRIHL |
| Online Access: | https://journals.openedition.org/dossiersgrihl/9579 |
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| _version_ | 1850150301429923840 |
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| author | Tiphaine Pocquet |
| author_facet | Tiphaine Pocquet |
| author_sort | Tiphaine Pocquet |
| collection | DOAJ |
| description | Dedication letters prior to Pierre du Ryer’s plays meet with an interesting development. The author chooses protectors that are powerful but also dissenters, like César de Vendôme. Eventually, he gives up dedication. There is one pivotal preface in his work: the dedication letter of his tragedy Saul, addressed to « nobody », that is to say to « everybody », in 1642. We aim at understanding such practice by starting with the studying of the political circumstances that surround the author’s stance. It seems power has moved away from the fading “unique authority” (that of the traditional dedicator and, behind him or her, the protective king or chosen lord) to be lodged into the hands of a public of readers that is at the same time unique and plural. Thus, the dedication letter becomes an empty place of power, with edges perpetually redefined. |
| format | Article |
| id | doaj-art-9235be397ce1459c8495de314f6798ff |
| institution | OA Journals |
| issn | 1958-9247 |
| language | fra |
| publishDate | 2022-02-01 |
| publisher | Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire |
| record_format | Article |
| series | Les Dossiers du GRIHL |
| spelling | doaj-art-9235be397ce1459c8495de314f6798ff2025-08-20T02:26:36ZfraGroupe de Recherches Interdisciplinaires sur l'Histoire du LittéraireLes Dossiers du GRIHL1958-92472022-02-0115310.4000/dossiersgrihl.9579La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ?Tiphaine PocquetDedication letters prior to Pierre du Ryer’s plays meet with an interesting development. The author chooses protectors that are powerful but also dissenters, like César de Vendôme. Eventually, he gives up dedication. There is one pivotal preface in his work: the dedication letter of his tragedy Saul, addressed to « nobody », that is to say to « everybody », in 1642. We aim at understanding such practice by starting with the studying of the political circumstances that surround the author’s stance. It seems power has moved away from the fading “unique authority” (that of the traditional dedicator and, behind him or her, the protective king or chosen lord) to be lodged into the hands of a public of readers that is at the same time unique and plural. Thus, the dedication letter becomes an empty place of power, with edges perpetually redefined.https://journals.openedition.org/dossiersgrihl/9579 |
| spellingShingle | Tiphaine Pocquet La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? Les Dossiers du GRIHL |
| title | La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? |
| title_full | La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? |
| title_fullStr | La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? |
| title_full_unstemmed | La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? |
| title_short | La pratique dédicatoire du dramaturge Pierre du Ryer : vers un « lieu vide du pouvoir » ? |
| title_sort | la pratique dedicatoire du dramaturge pierre du ryer vers un lieu vide du pouvoir |
| url | https://journals.openedition.org/dossiersgrihl/9579 |
| work_keys_str_mv | AT tiphainepocquet lapratiquededicatoiredudramaturgepierreduryerversunlieuvidedupouvoir |