Témoignage d’une restauratrice de peintures
Historically in France, conservation-restoration has sought its identity and function in institutions. What therefore is the place of conservator-restorers? What are their profiles, skills and challenges and what is their role in the preservation of culture heritage and the emerging professional fu...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2015-06-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/4795 |
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| _version_ | 1832578067971702784 |
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| author | Véronique Sorano-Stedman |
| author_facet | Véronique Sorano-Stedman |
| author_sort | Véronique Sorano-Stedman |
| collection | DOAJ |
| description | Historically in France, conservation-restoration has sought its identity and function in institutions. What therefore is the place of conservator-restorers? What are their profiles, skills and challenges and what is their role in the preservation of culture heritage and the emerging professional future? By their artistic sensitivity and interest in materials they resemble the painters of the past, who were also the first to restore the works of their masters. Today however, the ideal restorer must have artistic skills devoid of any hint of self-expression. From apprenticeship to scientific training, from workshops to institutes, it has always been essential to put theory into practice to make it effective and avoid misunderstandings. conservation, restauration, formation, science, esthétique, atelier |
| format | Article |
| id | doaj-art-91e6c38709c54c19947ca60bd86a074b |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2015-06-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-91e6c38709c54c19947ca60bd86a074b2025-01-30T14:14:33ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922015-06-0110.4000/ceroart.4795Témoignage d’une restauratrice de peinturesVéronique Sorano-StedmanHistorically in France, conservation-restoration has sought its identity and function in institutions. What therefore is the place of conservator-restorers? What are their profiles, skills and challenges and what is their role in the preservation of culture heritage and the emerging professional future? By their artistic sensitivity and interest in materials they resemble the painters of the past, who were also the first to restore the works of their masters. Today however, the ideal restorer must have artistic skills devoid of any hint of self-expression. From apprenticeship to scientific training, from workshops to institutes, it has always been essential to put theory into practice to make it effective and avoid misunderstandings. conservation, restauration, formation, science, esthétique, atelierhttps://journals.openedition.org/ceroart/4795restorationconservationscienceformationestheticstudio |
| spellingShingle | Véronique Sorano-Stedman Témoignage d’une restauratrice de peintures CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration conservation science formation esthetic studio |
| title | Témoignage d’une restauratrice de peintures |
| title_full | Témoignage d’une restauratrice de peintures |
| title_fullStr | Témoignage d’une restauratrice de peintures |
| title_full_unstemmed | Témoignage d’une restauratrice de peintures |
| title_short | Témoignage d’une restauratrice de peintures |
| title_sort | temoignage d une restauratrice de peintures |
| topic | restoration conservation science formation esthetic studio |
| url | https://journals.openedition.org/ceroart/4795 |
| work_keys_str_mv | AT veroniquesoranostedman temoignagedunerestauratricedepeintures |