“Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies

Although Frank Ormsby’s poetry is associated with what Terry Eagleton has called tropes of irony and commitment, his 2009 collection Fireflies inclines, rather surprisingly, towards Wallace Stevens’s idea of imagination as a force impacting reality. Reading Ormsby’s volume against a selection of...

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Main Authors: Wit Pietrzak, Karolina Marzec
Format: Article
Language:English
Published: Institute of English Studies 2018-10-01
Series:Anglica. An International Journal of English Studies
Online Access:http://www.anglica.ia.uw.edu.pl/images/pdf/27-1-articles/Anglica-27-1-8-Pietrzak-Marzec.pdf
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author Wit Pietrzak
Karolina Marzec
author_facet Wit Pietrzak
Karolina Marzec
author_sort Wit Pietrzak
collection DOAJ
description Although Frank Ormsby’s poetry is associated with what Terry Eagleton has called tropes of irony and commitment, his 2009 collection Fireflies inclines, rather surprisingly, towards Wallace Stevens’s idea of imagination as a force impacting reality. Reading Ormsby’s volume against a selection of poems by Stevens unravels what appears to be a consistent affinity between the author of Harmonium and the Ulster-born poet. This affinity manifests itself, as the present paper aims to show, in the fact that in Fireflies, much like in Stevens, a form of perception of reality is delineated that is never to stagnate into an achieved balance.
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spelling doaj-art-91dfa08f68bd410d9887d867f00808bd2025-08-20T02:42:59ZengInstitute of English StudiesAnglica. An International Journal of English Studies0860-57340860-57342018-10-01271111120“Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl iesWit Pietrzak0Karolina Marzec1University of ŁódźUniversity of ŁódźAlthough Frank Ormsby’s poetry is associated with what Terry Eagleton has called tropes of irony and commitment, his 2009 collection Fireflies inclines, rather surprisingly, towards Wallace Stevens’s idea of imagination as a force impacting reality. Reading Ormsby’s volume against a selection of poems by Stevens unravels what appears to be a consistent affinity between the author of Harmonium and the Ulster-born poet. This affinity manifests itself, as the present paper aims to show, in the fact that in Fireflies, much like in Stevens, a form of perception of reality is delineated that is never to stagnate into an achieved balance.http://www.anglica.ia.uw.edu.pl/images/pdf/27-1-articles/Anglica-27-1-8-Pietrzak-Marzec.pdf
spellingShingle Wit Pietrzak
Karolina Marzec
“Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
Anglica. An International Journal of English Studies
title “Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
title_full “Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
title_fullStr “Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
title_full_unstemmed “Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
title_short “Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s Firefl ies
title_sort such beauty transforming the dark wallace stevens s project in frank ormsby s firefl ies
url http://www.anglica.ia.uw.edu.pl/images/pdf/27-1-articles/Anglica-27-1-8-Pietrzak-Marzec.pdf
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