William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose

This paper examines two established works by the Scottish poet William Dunbar (c. 1460-1513) which appear in the 1568 Bannatyne manuscript: “The Golden Targe” and “Sen that I am Presoneir” (also known as “Beauty and the Prisoner”).1 Rather than simply rereading the familiar steps of the debate, I ar...

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Main Author: Lucy Hinnie
Format: Article
Language:English
Published: Institut du Monde Anglophone 2019-02-01
Series:Etudes Epistémè
Subjects:
Online Access:https://journals.openedition.org/episteme/2907
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author Lucy Hinnie
author_facet Lucy Hinnie
author_sort Lucy Hinnie
collection DOAJ
description This paper examines two established works by the Scottish poet William Dunbar (c. 1460-1513) which appear in the 1568 Bannatyne manuscript: “The Golden Targe” and “Sen that I am Presoneir” (also known as “Beauty and the Prisoner”).1 Rather than simply rereading the familiar steps of the debate, I argue that Dunbar exploits his mastery of genre and style in order to subvert the usual terms of the querelle debate and reignite discourse in a Scottish context. In particular, Dunbar’s use of language is analysed, in terms of its appeal to the senses in his construction of gender. Ultimately I suggest that rather than two distinctly separate and stylistically opposed poems, one can read the “Targe” and “Presoneir” as a pair of cognate poems, a stylistic parallel to the disjointed dual authorship of the “Rose.
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spelling doaj-art-918fbbd3f3354e319b893f39489136f72025-08-20T02:32:42ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502019-02-013410.4000/episteme.2907William Dunbar and the Querelle des Femmes: A Response to the Roman de la RoseLucy HinnieThis paper examines two established works by the Scottish poet William Dunbar (c. 1460-1513) which appear in the 1568 Bannatyne manuscript: “The Golden Targe” and “Sen that I am Presoneir” (also known as “Beauty and the Prisoner”).1 Rather than simply rereading the familiar steps of the debate, I argue that Dunbar exploits his mastery of genre and style in order to subvert the usual terms of the querelle debate and reignite discourse in a Scottish context. In particular, Dunbar’s use of language is analysed, in terms of its appeal to the senses in his construction of gender. Ultimately I suggest that rather than two distinctly separate and stylistically opposed poems, one can read the “Targe” and “Presoneir” as a pair of cognate poems, a stylistic parallel to the disjointed dual authorship of the “Rose.https://journals.openedition.org/episteme/2907William DunbarScotlandfeminismBannatyne Manuscriptquerelle des femmessixteenth-century
spellingShingle Lucy Hinnie
William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
Etudes Epistémè
William Dunbar
Scotland
feminism
Bannatyne Manuscript
querelle des femmes
sixteenth-century
title William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
title_full William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
title_fullStr William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
title_full_unstemmed William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
title_short William Dunbar and the Querelle des Femmes: A Response to the Roman de la Rose
title_sort william dunbar and the querelle des femmes a response to the roman de la rose
topic William Dunbar
Scotland
feminism
Bannatyne Manuscript
querelle des femmes
sixteenth-century
url https://journals.openedition.org/episteme/2907
work_keys_str_mv AT lucyhinnie williamdunbarandthequerelledesfemmesaresponsetotheromandelarose