Aesthetics as a social need

Florencia Rodríguez emphasizes the present good moment of Latin American architecture and describes some historic clues that allow a better understanding of the current process. She warns that “Latin American architecture” is nothing more than the way in which we incorporate ourselves into the narr...

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Main Authors: Ana Rascovsky, Max Zolkwer
Format: Article
Language:English
Published: Universidad San Sebastian 2011-12-01
Series:Materia Arquitectura
Subjects:
Online Access:http://materiaarquitectura.com/index.php/MA/article/view/291
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author Ana Rascovsky
Max Zolkwer
author_facet Ana Rascovsky
Max Zolkwer
author_sort Ana Rascovsky
collection DOAJ
description Florencia Rodríguez emphasizes the present good moment of Latin American architecture and describes some historic clues that allow a better understanding of the current process. She warns that “Latin American architecture” is nothing more than the way in which we incorporate ourselves into the narrative of occidental history and that today we have the chance to liberate ourselves of discourses inspired in foreign ideas. Rodríguez maintains that we, Latin Americans, have intellectual relationships that are more fertile than mere spatial proximity in order to understand our own architectural experience.  She insists on the need to put to the test new categories of analysis that account for the local dimension of the work of some architects, like Giancarlo Mazzanti or Solano Benítez. Finally, Rodríguez revalues aesthetics as a social need and rejects the distrust generated by visually attractive works.
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publisher Universidad San Sebastian
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series Materia Arquitectura
spelling doaj-art-9066cc00fe3642048c102ec751c968892025-08-20T03:01:55ZengUniversidad San SebastianMateria Arquitectura0718-70332735-75032011-12-010410.56255/ma.v0i04.291Aesthetics as a social needAna Rascovsky0Max Zolkwer1Universidad de Palermo (Buenos Aires) / SupersudacaPop-Arq (Buenos Aires) / Supersudaca Florencia Rodríguez emphasizes the present good moment of Latin American architecture and describes some historic clues that allow a better understanding of the current process. She warns that “Latin American architecture” is nothing more than the way in which we incorporate ourselves into the narrative of occidental history and that today we have the chance to liberate ourselves of discourses inspired in foreign ideas. Rodríguez maintains that we, Latin Americans, have intellectual relationships that are more fertile than mere spatial proximity in order to understand our own architectural experience.  She insists on the need to put to the test new categories of analysis that account for the local dimension of the work of some architects, like Giancarlo Mazzanti or Solano Benítez. Finally, Rodríguez revalues aesthetics as a social need and rejects the distrust generated by visually attractive works. http://materiaarquitectura.com/index.php/MA/article/view/291LanguageLaboratoryExperienceDiscourseSocial aestheticsMaterials
spellingShingle Ana Rascovsky
Max Zolkwer
Aesthetics as a social need
Materia Arquitectura
Language
Laboratory
Experience
Discourse
Social aesthetics
Materials
title Aesthetics as a social need
title_full Aesthetics as a social need
title_fullStr Aesthetics as a social need
title_full_unstemmed Aesthetics as a social need
title_short Aesthetics as a social need
title_sort aesthetics as a social need
topic Language
Laboratory
Experience
Discourse
Social aesthetics
Materials
url http://materiaarquitectura.com/index.php/MA/article/view/291
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