DEALING WITH AUTHENTICITY IN THE CONSERVATION AND RESTORATION OF WALL PAINTINGS AND ARCHITECTURAL SURFACES
Authenticity is a key term in the modern theory and practice of heritage preservation. The great influence of this term began with the Venice Charter and increased in the following decades until this day, as numerous documents and publications have dealt with issues concerning the concept and signif...
Saved in:
| Main Author: | Ursula Schädler-Saub |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Lublin University of Technology
2019-12-01
|
| Series: | Ochrona Dziedzictwa Kulturowego |
| Subjects: | |
| Online Access: | https://ph.pollub.pl/index.php/odk/article/view/1022 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany
by: Ursula Schädler-Saub
Published: (2013-10-01) -
Challenges of Conservation and Restoration of a Medieval Wall Painting in the Church of Saint Leonard in Mala Ligojna and the Question of Its Authorship
by: Eva Marija Fras
Published: (2023-03-01) -
Conservation issues of large rolled paintings on the Portuguese altarpieces
by: Rita Macedo Moreira
Published: (2013-05-01) -
Investigating the Concept of Authenticity in Restoration in Light of Archive Documents: Kayseri Sahabiye Madrasah
by: Ayşegül Akşehirlioğlu
Published: (2024-08-01) -
Conservation problems with paintings containing fluorescent layers of paint
by: Stefanie De Winter
Published: (2010-11-01)