From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy

The aim of this paper is to acknowledge the influence of French dramatical stererotypes in Oscar Wilde’s creation of the female dandy. I will particularly focus on two society comedies, Lady Windermere’s Fan (1892) and An Ideal Husband (1895) so as to unearth French female forerunners of his aventur...

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Main Author: Ignacio Ramos Gay
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2010-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/2724
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author Ignacio Ramos Gay
author_facet Ignacio Ramos Gay
author_sort Ignacio Ramos Gay
collection DOAJ
description The aim of this paper is to acknowledge the influence of French dramatical stererotypes in Oscar Wilde’s creation of the female dandy. I will particularly focus on two society comedies, Lady Windermere’s Fan (1892) and An Ideal Husband (1895) so as to unearth French female forerunners of his aventurière throughout a series of plays written by boulevard authors such as Victorien Sardou, Emile Augier and Dumas fils. My aim is thus twofold: first to recognize the debt British playwrights contracted towards French drama and, secondly, to state that French theatrical stereotypes, even when being the main cause of native playwrights’ drowsiness, were also the first step towards the renaissance of English drama, as it can be observed throughout Oscar Wilde’s, Pinero’s, Gilbert’s and Jones’s dramaturgies.
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spelling doaj-art-8ee2668bc3404b3789fa8aab85b53ada2025-01-30T10:21:41ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-12-0172839810.4000/cve.2724From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female DandyIgnacio Ramos GayThe aim of this paper is to acknowledge the influence of French dramatical stererotypes in Oscar Wilde’s creation of the female dandy. I will particularly focus on two society comedies, Lady Windermere’s Fan (1892) and An Ideal Husband (1895) so as to unearth French female forerunners of his aventurière throughout a series of plays written by boulevard authors such as Victorien Sardou, Emile Augier and Dumas fils. My aim is thus twofold: first to recognize the debt British playwrights contracted towards French drama and, secondly, to state that French theatrical stereotypes, even when being the main cause of native playwrights’ drowsiness, were also the first step towards the renaissance of English drama, as it can be observed throughout Oscar Wilde’s, Pinero’s, Gilbert’s and Jones’s dramaturgies.https://journals.openedition.org/cve/2724
spellingShingle Ignacio Ramos Gay
From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
Cahiers Victoriens et Edouardiens
title From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
title_full From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
title_fullStr From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
title_full_unstemmed From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
title_short From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy
title_sort from dumas fils s etrangere to wilde s aventuriere french theatrical forerunners of the wildean female dandy
url https://journals.openedition.org/cve/2724
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