Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”

Bahram Beizayi is one of the most important artists in the field of drama in Iran. Nevertheless, after nearly 60 years of Beizai's artistic activity, and in the tumult of opponents and proponents of his works, what can be seen and heard is about what he says, not how he says: from mythological...

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Main Authors: Ali Khorashadi, Meghdad Javid Sabaghian
Format: Article
Language:fas
Published: Institute for Humanities and Cultural Studies (IHCS) 2021-10-01
Series:پژوهش‌نامۀ انتقادی متون و برنامه‌های علوم انسانی
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Online Access:https://criticalstudy.ihcs.ac.ir/article_7016_3db6d8f441c910745fa65c76ca6091bc.pdf
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author Ali Khorashadi
Meghdad Javid Sabaghian
author_facet Ali Khorashadi
Meghdad Javid Sabaghian
author_sort Ali Khorashadi
collection DOAJ
description Bahram Beizayi is one of the most important artists in the field of drama in Iran. Nevertheless, after nearly 60 years of Beizai's artistic activity, and in the tumult of opponents and proponents of his works, what can be seen and heard is about what he says, not how he says: from mythological and historical critiques to feminist and political critiques that interpret his works in the politics of the time. In this article, we try to examine 3 elliptical works including "The Eighth Voyage of Sindbad", "Reed Curtain" and "Facing Mirrors" from the perspective of narrative form. Elliptical screenplays are writings that are published before they can be made. From this perspective, we encounter a unique phenomenon that allows screenwriters to access, research and study the screenplay itself - even before the film is made. The way to explain and examine these works is to examine the narrative style and, in particular, the timing of the narrative, relying on the views of Gerard Genette, the French structuralist narrator. The purpose of this article is to study the relationship between time and causality as the basis of a narrative in Elliptical works and to explain how he views the universe, focusing on the form of his works.
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institution Kabale University
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publishDate 2021-10-01
publisher Institute for Humanities and Cultural Studies (IHCS)
record_format Article
series پژوهش‌نامۀ انتقادی متون و برنامه‌های علوم انسانی
spelling doaj-art-8e73b25993284f7dbc0d4c582e52cabc2025-01-08T05:42:01ZfasInstitute for Humanities and Cultural Studies (IHCS)پژوهش‌نامۀ انتقادی متون و برنامه‌های علوم انسانی2383-16502021-10-0121813116910.30465/crtls.2020.30021.17727016Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”Ali Khorashadi0Meghdad Javid Sabaghian1Master Student of Cinema, University of Arts, Tehran, IranAssistant Professor in Arts, Damghan University, Damghan, IranBahram Beizayi is one of the most important artists in the field of drama in Iran. Nevertheless, after nearly 60 years of Beizai's artistic activity, and in the tumult of opponents and proponents of his works, what can be seen and heard is about what he says, not how he says: from mythological and historical critiques to feminist and political critiques that interpret his works in the politics of the time. In this article, we try to examine 3 elliptical works including "The Eighth Voyage of Sindbad", "Reed Curtain" and "Facing Mirrors" from the perspective of narrative form. Elliptical screenplays are writings that are published before they can be made. From this perspective, we encounter a unique phenomenon that allows screenwriters to access, research and study the screenplay itself - even before the film is made. The way to explain and examine these works is to examine the narrative style and, in particular, the timing of the narrative, relying on the views of Gerard Genette, the French structuralist narrator. The purpose of this article is to study the relationship between time and causality as the basis of a narrative in Elliptical works and to explain how he views the universe, focusing on the form of his works.https://criticalstudy.ihcs.ac.ir/article_7016_3db6d8f441c910745fa65c76ca6091bc.pdfbeyzayigenettenarrativetime and causalitythe eighth voyage of sinbadreed curtainfacing mirrors
spellingShingle Ali Khorashadi
Meghdad Javid Sabaghian
Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
پژوهش‌نامۀ انتقادی متون و برنامه‌های علوم انسانی
beyzayi
genette
narrative
time and causality
the eighth voyage of sinbad
reed curtain
facing mirrors
title Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
title_full Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
title_fullStr Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
title_full_unstemmed Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
title_short Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain”
title_sort analysis of the narration time of beyzayi works based on the views of gerard genette a case study of the play the eighth voyage of sinbad and screenplays of facing mirrors and reed curtain
topic beyzayi
genette
narrative
time and causality
the eighth voyage of sinbad
reed curtain
facing mirrors
url https://criticalstudy.ihcs.ac.ir/article_7016_3db6d8f441c910745fa65c76ca6091bc.pdf
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AT meghdadjavidsabaghian analysisofthenarrationtimeofbeyzayiworksbasedontheviewsofgerardgenetteacasestudyoftheplaytheeighthvoyageofsinbadandscreenplaysoffacingmirrorsandreedcurtain