Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej
Evolutionary aesthetics is a young and promising discipline that still lacks a fully developed methodology, such as neuroaesthetics. The disputes over situations in which a given artistic behaviour could be considered an adaptation (or perhaps a by-product of adaptation or a purely cultural product)...
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Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego w Warszawie
2020-03-01
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| Series: | Studia Philosophiae Christianae |
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| Online Access: | https://czasopisma.uksw.edu.pl/index.php/spch/article/view/7284 |
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| author | Jerzy Luty |
| author_facet | Jerzy Luty |
| author_sort | Jerzy Luty |
| collection | DOAJ |
| description | Evolutionary aesthetics is a young and promising discipline that still lacks a fully developed methodology, such as neuroaesthetics. The disputes over situations in which a given artistic behaviour could be considered an adaptation (or perhaps a by-product of adaptation or a purely cultural product), do not lead to clear conclusions, as shown by the fact that the test results obtained can often be assigned to many hypothetical functions. For example, even if the hypothesis that a given behaviour is shared by all humans is confirmed empirically, this does not necessarily mean that the behaviour is an adaptation. For an explanation of the evolutionary origin of a behaviour to be reliable, it should pass the Tinbergen (1951) test, and thus get confirmation in each of the following four aspects: (1) it should appear spontaneously at an early stage of individual development, (2) it should have an identified function, (3) it should have its own evolutionary history, and (4) it should comprise an emotional mechanism that causes pleasure or disgust, operating under specific circumstances. If each of these conditions is met, it can be stated with a high degree of certainty that the behaviour in question is an adaptation in the strict sense of the word. But: is accuracy the domain of art? This article shows that the unique idea of the consilience of the humanities and natural sciences, despite numerous methodological puzzles, offers an attractive interpretation of evolutionary aesthetics from the point of view of contemporary universalist challenges. It also allows us to understand the uniqueness of humans - the only species that artifies, attaches importance to performance, creates art and adores it. |
| format | Article |
| id | doaj-art-8ddf93b2ed494f2c87a20e1176c42b3d |
| institution | DOAJ |
| issn | 0585-5470 2720-0531 |
| language | deu |
| publishDate | 2020-03-01 |
| publisher | Wydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego w Warszawie |
| record_format | Article |
| series | Studia Philosophiae Christianae |
| spelling | doaj-art-8ddf93b2ed494f2c87a20e1176c42b3d2025-08-20T03:17:58ZdeuWydawnictwo Naukowe Uniwersytetu Kardynała Stefana Wyszyńskiego w WarszawieStudia Philosophiae Christianae0585-54702720-05312020-03-015615578https://doi.org/10.21697/spch.2020.56.1.03Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnejJerzy Luty0https://orcid.org/0000-0002-2254-9526Uniwersytet WrocławskiEvolutionary aesthetics is a young and promising discipline that still lacks a fully developed methodology, such as neuroaesthetics. The disputes over situations in which a given artistic behaviour could be considered an adaptation (or perhaps a by-product of adaptation or a purely cultural product), do not lead to clear conclusions, as shown by the fact that the test results obtained can often be assigned to many hypothetical functions. For example, even if the hypothesis that a given behaviour is shared by all humans is confirmed empirically, this does not necessarily mean that the behaviour is an adaptation. For an explanation of the evolutionary origin of a behaviour to be reliable, it should pass the Tinbergen (1951) test, and thus get confirmation in each of the following four aspects: (1) it should appear spontaneously at an early stage of individual development, (2) it should have an identified function, (3) it should have its own evolutionary history, and (4) it should comprise an emotional mechanism that causes pleasure or disgust, operating under specific circumstances. If each of these conditions is met, it can be stated with a high degree of certainty that the behaviour in question is an adaptation in the strict sense of the word. But: is accuracy the domain of art? This article shows that the unique idea of the consilience of the humanities and natural sciences, despite numerous methodological puzzles, offers an attractive interpretation of evolutionary aesthetics from the point of view of contemporary universalist challenges. It also allows us to understand the uniqueness of humans - the only species that artifies, attaches importance to performance, creates art and adores it.https://czasopisma.uksw.edu.pl/index.php/spch/article/view/7284artevolutionadaptationsexual selectionconsilience |
| spellingShingle | Jerzy Luty Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej Studia Philosophiae Christianae art evolution adaptation sexual selection consilience |
| title | Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej |
| title_full | Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej |
| title_fullStr | Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej |
| title_full_unstemmed | Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej |
| title_short | Jak możliwa jest adaptacyjna analiza sztuki? Niektóre problemy metodologiczne estetyki ewolucyjnej |
| title_sort | jak mozliwa jest adaptacyjna analiza sztuki niektore problemy metodologiczne estetyki ewolucyjnej |
| topic | art evolution adaptation sexual selection consilience |
| url | https://czasopisma.uksw.edu.pl/index.php/spch/article/view/7284 |
| work_keys_str_mv | AT jerzyluty jakmozliwajestadaptacyjnaanalizasztukiniektoreproblemymetodologiczneestetykiewolucyjnej |