Made by entangled words and wool
In this essay, I highlight a performative and rhizomatic approach to my art-based research using the phenomenon of wool felting to address entangling words and wool fibres as a material-discourse. I address drifting movements from the notion of a/r/tography as I perceive it, through echo, resonance...
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| Format: | Article |
| Language: | English |
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OsloMet — Oslo Metropolitan University
2025-06-01
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| Series: | Nordic Journal of Art and Research |
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| Online Access: | https://journals.oslomet.no/index.php/ar/article/view/5463 |
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| _version_ | 1849424816464986112 |
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| author | Samira Jamouchi |
| author_facet | Samira Jamouchi |
| author_sort | Samira Jamouchi |
| collection | DOAJ |
| description |
In this essay, I highlight a performative and rhizomatic approach to my art-based research using the phenomenon of wool felting to address entangling words and wool fibres as a material-discourse. I address drifting movements from the notion of a/r/tography as I perceive it, through echo, resonance and re-emergence in my art-based research design. This is done by querying, and caring for, the idea of identity, as I carry many of them, of various nature and various intensities. Furthermore, I decentralise the human in the art-based research methodology that I have been using in recent years in artistic, scholarly and pedagogical contexts. This text dialogues with the recent work of Stephanie Springgay (2020 and 2022), especially her work related to the concept of feltness, and more broadly research-creation (Manning, 2016).
Photo: Samira Jamouchi
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| format | Article |
| id | doaj-art-8b59226bddc342bfba0aaab84ef1824d |
| institution | Kabale University |
| issn | 2535-7328 |
| language | English |
| publishDate | 2025-06-01 |
| publisher | OsloMet — Oslo Metropolitan University |
| record_format | Article |
| series | Nordic Journal of Art and Research |
| spelling | doaj-art-8b59226bddc342bfba0aaab84ef1824d2025-08-20T03:29:58ZengOsloMet — Oslo Metropolitan UniversityNordic Journal of Art and Research2535-73282025-06-0114210.7577/ar.5463Made by entangled words and woolSamira Jamouchi0Østfold University College In this essay, I highlight a performative and rhizomatic approach to my art-based research using the phenomenon of wool felting to address entangling words and wool fibres as a material-discourse. I address drifting movements from the notion of a/r/tography as I perceive it, through echo, resonance and re-emergence in my art-based research design. This is done by querying, and caring for, the idea of identity, as I carry many of them, of various nature and various intensities. Furthermore, I decentralise the human in the art-based research methodology that I have been using in recent years in artistic, scholarly and pedagogical contexts. This text dialogues with the recent work of Stephanie Springgay (2020 and 2022), especially her work related to the concept of feltness, and more broadly research-creation (Manning, 2016). Photo: Samira Jamouchi https://journals.oslomet.no/index.php/ar/article/view/5463research creationsensory-makingvisual art educationwool feltingperformative researcha/r/tography |
| spellingShingle | Samira Jamouchi Made by entangled words and wool Nordic Journal of Art and Research research creation sensory-making visual art education wool felting performative research a/r/tography |
| title | Made by entangled words and wool |
| title_full | Made by entangled words and wool |
| title_fullStr | Made by entangled words and wool |
| title_full_unstemmed | Made by entangled words and wool |
| title_short | Made by entangled words and wool |
| title_sort | made by entangled words and wool |
| topic | research creation sensory-making visual art education wool felting performative research a/r/tography |
| url | https://journals.oslomet.no/index.php/ar/article/view/5463 |
| work_keys_str_mv | AT samirajamouchi madebyentangledwordsandwool |