Detecting Post-nuclear Crisis in Hanna Jameson's The Last
. Hanna Jameson’s post-apocalyptic detective novel, The Last (2019), addresses contemporary issues that affect us on both a collective and an individual level. The author diagnoses the denial of nuclearism and calls for an awareness of the nuclear age combined with the looming threat of climate...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Scientia Publishing House
2021-11-01
|
| Series: | Acta Universitatis Sapientiae: Philologica |
| Subjects: | |
| Online Access: | https://acta.sapientia.ro/content/docs/detecting-post-nuclear-crisis-in-hanna-j.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850072371561496576 |
|---|---|
| author | Renáta Zsámba |
| author_facet | Renáta Zsámba |
| author_sort | Renáta Zsámba |
| collection | DOAJ |
| description | . Hanna Jameson’s post-apocalyptic detective novel, The Last (2019),
addresses contemporary issues that affect us on both a collective and an
individual level. The author diagnoses the denial of nuclearism and calls for
an awareness of the nuclear age combined with the looming threat of climate
change. The novel negotiates alternative strategies for the treatment of crisis
brought about by the nuclear attack and borrows many of the thematic and
structural elements from twentieth-century nuclear fictions in which the
apocalypse is not necessarily regarded in negative terms but as a chance
for regeneration. The events of the post-nuclear months in a Swiss hotel
are narrated by an American historian whose written account serves several
goals. It gives the illusion of delaying crisis, but it also reveals his fears and
traumas conjured up by radioactive spectres. There are two different types
of narratives at work, the narrative of the crisis and that of the investigation.
The narrator-protagonist becomes obsessed with finding the solution to a
murder mystery, which in a metaphorical sense is to give a soothing answer
to the death of millions. However, this attempt keeps failing, and thus the
narrative of the crisis devours all kinds of rational initiatives to resolve
chaos. In order to elaborate on the psychological impact of the post-nuclear
crisis in subject construction, I do not only examine the character of the
amateur detective of the whodunit whose intervention aims to restore order,
but I also apply Gabriele Schwab’s concepts of post-nuclear subjectivity and
nuclear hauntology. |
| format | Article |
| id | doaj-art-8b2bc80d629948db91a64b0136b2feb6 |
| institution | DOAJ |
| issn | 2067-5151 2068-2956 |
| language | deu |
| publishDate | 2021-11-01 |
| publisher | Scientia Publishing House |
| record_format | Article |
| series | Acta Universitatis Sapientiae: Philologica |
| spelling | doaj-art-8b2bc80d629948db91a64b0136b2feb62025-08-20T02:47:06ZdeuScientia Publishing HouseActa Universitatis Sapientiae: Philologica2067-51512068-29562021-11-01131455910.2478/ausp-2021-0004Detecting Post-nuclear Crisis in Hanna Jameson's The LastRenáta Zsámba0Eszterházy Károly University. Hanna Jameson’s post-apocalyptic detective novel, The Last (2019), addresses contemporary issues that affect us on both a collective and an individual level. The author diagnoses the denial of nuclearism and calls for an awareness of the nuclear age combined with the looming threat of climate change. The novel negotiates alternative strategies for the treatment of crisis brought about by the nuclear attack and borrows many of the thematic and structural elements from twentieth-century nuclear fictions in which the apocalypse is not necessarily regarded in negative terms but as a chance for regeneration. The events of the post-nuclear months in a Swiss hotel are narrated by an American historian whose written account serves several goals. It gives the illusion of delaying crisis, but it also reveals his fears and traumas conjured up by radioactive spectres. There are two different types of narratives at work, the narrative of the crisis and that of the investigation. The narrator-protagonist becomes obsessed with finding the solution to a murder mystery, which in a metaphorical sense is to give a soothing answer to the death of millions. However, this attempt keeps failing, and thus the narrative of the crisis devours all kinds of rational initiatives to resolve chaos. In order to elaborate on the psychological impact of the post-nuclear crisis in subject construction, I do not only examine the character of the amateur detective of the whodunit whose intervention aims to restore order, but I also apply Gabriele Schwab’s concepts of post-nuclear subjectivity and nuclear hauntology.https://acta.sapientia.ro/content/docs/detecting-post-nuclear-crisis-in-hanna-j.pdfpost-apocalyptic detective novelpost-nuclear crisisinvestigationtraumapost-nuclear subjectivity |
| spellingShingle | Renáta Zsámba Detecting Post-nuclear Crisis in Hanna Jameson's The Last Acta Universitatis Sapientiae: Philologica post-apocalyptic detective novel post-nuclear crisis investigation trauma post-nuclear subjectivity |
| title | Detecting Post-nuclear Crisis in Hanna Jameson's The Last |
| title_full | Detecting Post-nuclear Crisis in Hanna Jameson's The Last |
| title_fullStr | Detecting Post-nuclear Crisis in Hanna Jameson's The Last |
| title_full_unstemmed | Detecting Post-nuclear Crisis in Hanna Jameson's The Last |
| title_short | Detecting Post-nuclear Crisis in Hanna Jameson's The Last |
| title_sort | detecting post nuclear crisis in hanna jameson s the last |
| topic | post-apocalyptic detective novel post-nuclear crisis investigation trauma post-nuclear subjectivity |
| url | https://acta.sapientia.ro/content/docs/detecting-post-nuclear-crisis-in-hanna-j.pdf |
| work_keys_str_mv | AT renatazsamba detectingpostnuclearcrisisinhannajamesonsthelast |