Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.

The paper examines the frescoes in the churches of the Kumanovo area in today’s North Macedonia in the first quarter of the seventeenth century. At that time, several workshops operated in this region, and they belonged to one of two traditions: one group was influenced by contemporaneous S...

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Main Author: Onufrienko Maksim O.
Format: Article
Language:deu
Published: Faculty of Philosophy, Belgrade 2023-01-01
Series:Zograf
Subjects:
Online Access:https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347203O.pdf
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author Onufrienko Maksim O.
author_facet Onufrienko Maksim O.
author_sort Onufrienko Maksim O.
collection DOAJ
description The paper examines the frescoes in the churches of the Kumanovo area in today’s North Macedonia in the first quarter of the seventeenth century. At that time, several workshops operated in this region, and they belonged to one of two traditions: one group was influenced by contemporaneous Serbian art and the other by the painters of Kastoria. In their painting styles, these monuments fall into one of three groups: churches frescoed by Kastorian ateliers, those painted by artists who pursued the “patriarchal” style, and those decorated by local zographoi. There had been no mutual influence between these traditions, suggesting the complexity of the interactions between old and new artistic ties, which emerged after the incorporation of the Metropolis of Skopje into the restored Patriarchate of Peć.
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institution Kabale University
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publisher Faculty of Philosophy, Belgrade
record_format Article
series Zograf
spelling doaj-art-8b2b723665b94b249d1e26c455da0bfb2025-01-30T06:36:53ZdeuFaculty of Philosophy, BelgradeZograf0350-13612406-07552023-01-0120234720322210.2298/ZOG2347203O0350-13612347203OMnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.Onufrienko Maksim O.0https://orcid.org/0000-0003-4756-8309Naučnoistraživački institut za teoriju i istoriju arhitekture i urbanističko planiranje, Moskva, RusijaThe paper examines the frescoes in the churches of the Kumanovo area in today’s North Macedonia in the first quarter of the seventeenth century. At that time, several workshops operated in this region, and they belonged to one of two traditions: one group was influenced by contemporaneous Serbian art and the other by the painters of Kastoria. In their painting styles, these monuments fall into one of three groups: churches frescoed by Kastorian ateliers, those painted by artists who pursued the “patriarchal” style, and those decorated by local zographoi. There had been no mutual influence between these traditions, suggesting the complexity of the interactions between old and new artistic ties, which emerged after the incorporation of the Metropolis of Skopje into the restored Patriarchate of Peć.https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347203O.pdfpost-byzantine artfrescoesart/paintingserbian artitinerant workshops
spellingShingle Onufrienko Maksim O.
Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
Zograf
post-byzantine art
frescoes
art/painting
serbian art
itinerant workshops
title Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
title_full Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
title_fullStr Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
title_full_unstemmed Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
title_short Mnogoobrazie stilej monumental'noj živopisi severnyh oblastej Мakedonii v pervoj četverti XVII v.
title_sort mnogoobrazie stilej monumental noj zivopisi severnyh oblastej мakedonii v pervoj cetverti xvii v
topic post-byzantine art
frescoes
art/painting
serbian art
itinerant workshops
url https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347203O.pdf
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