Taghazzul in Iqbal and Faiz' Poems
<div>ABSTRACT:</div><div>Poem is known among important portions of poetry. It is necessary for</div><div>poet to keep the beauty of poem with poetry's compassion and sensitivity.</div><div>The subject of poem should not organize in such way that becomes...
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| Format: | Article |
| Language: | English |
| Published: |
University of the Punjab, Institute of Urdu Language and Literature, Lahore
2020-12-01
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| Series: | بازیافت |
| Subjects: | |
| Online Access: | http://111.68.103.26/journals/index.php/Bazyaft/article/view/4695 |
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| Summary: | <div>ABSTRACT:</div><div>Poem is known among important portions of poetry. It is necessary for</div><div>poet to keep the beauty of poem with poetry's compassion and sensitivity.</div><div>The subject of poem should not organize in such way that becomes harsh in</div><div>listening. The arrangement of words should be made in a manner to portray</div><div>its sense of beauty and compassion. There are few poets in Urdu literature</div><div>who try to maintain the color of "Taghazul" in their poetry. In fact Taghazul</div><div>is a term of poetry. Terms are the source of communication in different</div><div>languages. The style, diction, cadence, imagination, elegancy, inflection and</div><div>spontaneity in poetry are the elements which increase the beauty of ghazal.</div><div>Taghazul is not a genre of poetry. In fact it came from the combination of</div><div>painful emotions and desire. It is very important in taghazul to summarize</div><div>the delicacy and expression of words. If we look at the history of Urdu</div><div>poem, from the poets of Anjuman-e-Punjab to Halqa-Arbab-e-Zuaq there</div><div>are many important names, but there are two names known as the pillar of</div><div>Urdu poetry. These are "Iqbal" and "Faiz". Both poets had the status of pillar</div><div>in Urdu poetry. Iqbal presented the color of taghazul in his poems</div><div>beautifully. "Shikwa, Jwab-e-Shikwa, Khizar rah, Shama-o-Shair, Masjad</div><div>Qurtaba and Saqi Nama are his very significant poems. Faiz didn't lost the</div><div>line of taghazul he also continued this method. "Manzar, Tanhai, Raqeeb sy,</div><div>Aa jao Africa, Mujh sy Pahli c Muhabat mary Mehbob na mang and Shishu</div><div>ka koi Maseeha nhi" are Faiz's key poems. Iqbal was a philosopher and his</div><div>poetry is vastly under this umbrella. And the poetry of Faiz consist the</div><div>tension and emotions of public. Both poets belong to different eras and both</div><div>OS gƒÑÔ;gE-[ºÔÒ»@gzZÔzŠgZ£Ô(Y2020cŠ@*ðÑ)37DkÊ^m‡^e</div><div>try to follow different visible perception of poetry. They became similar at</div><div>one specific point that is taghazul in their poems, and this would be</div><div>admired in every era.</div> |
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| ISSN: | 1992-3678 2788-4848 |