Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb

From Prétextat Tach to Melvin Mapple, Nothomb’s fictional world is full of extravagantly obese characters. They are bits of nothingness surrounded by a fat substance, a nothingness that takes more and more room, invades and eventually consumes everything. The key subject of Nothomb’s novels is this...

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Main Author: Cristina Álvares
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2012-01-01
Series:Carnets
Subjects:
Online Access:https://journals.openedition.org/carnets/7083
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author Cristina Álvares
author_facet Cristina Álvares
author_sort Cristina Álvares
collection DOAJ
description From Prétextat Tach to Melvin Mapple, Nothomb’s fictional world is full of extravagantly obese characters. They are bits of nothingness surrounded by a fat substance, a nothingness that takes more and more room, invades and eventually consumes everything. The key subject of Nothomb’s novels is this invasion of the self’s space by another’s emptiness, by their inert kernel of apathy, that disturbs, provokes anxiety and disgust to a point the self just can’t stand it. In Métaphysique des tubes, the tube is the object that shapes the non-being. This novel tells the story of the construction of a subjective structure whose crucial moment is when the carps, tubes surrounded by fat, let the reader glimpse at the kernel of non-being inside the subject. The subject is founded by the extravagant disgust caused by the externalisation of the inner tube.
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spelling doaj-art-898478ac7d0540f0afa48e89b1ede6572025-08-20T01:55:22ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982012-01-01424525910.4000/carnets.7083Une subjectivation extravagante. Métaphysique des tubes, d’Amélie NothombCristina ÁlvaresFrom Prétextat Tach to Melvin Mapple, Nothomb’s fictional world is full of extravagantly obese characters. They are bits of nothingness surrounded by a fat substance, a nothingness that takes more and more room, invades and eventually consumes everything. The key subject of Nothomb’s novels is this invasion of the self’s space by another’s emptiness, by their inert kernel of apathy, that disturbs, provokes anxiety and disgust to a point the self just can’t stand it. In Métaphysique des tubes, the tube is the object that shapes the non-being. This novel tells the story of the construction of a subjective structure whose crucial moment is when the carps, tubes surrounded by fat, let the reader glimpse at the kernel of non-being inside the subject. The subject is founded by the extravagant disgust caused by the externalisation of the inner tube.https://journals.openedition.org/carnets/7083OntologyEgoSubjectDisgustNegative
spellingShingle Cristina Álvares
Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
Carnets
Ontology
Ego
Subject
Disgust
Negative
title Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
title_full Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
title_fullStr Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
title_full_unstemmed Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
title_short Une subjectivation extravagante. Métaphysique des tubes, d’Amélie Nothomb
title_sort une subjectivation extravagante metaphysique des tubes d amelie nothomb
topic Ontology
Ego
Subject
Disgust
Negative
url https://journals.openedition.org/carnets/7083
work_keys_str_mv AT cristinaalvares unesubjectivationextravagantemetaphysiquedestubesdamelienothomb